Architectural photography (Continued)
surveillance units, 59
The International Style, 59
urbanism, 61
use of infra-red photography, 59
vernacular architecture, 56
Virtual Reality and, 62
Walker Evans and, 56
Walter Gropius and, 58, 59
whole human philosophy, 59, 60
works influencing, 60
Architectural Record,2
Archives, 64–68
aesthetic object, 65
anonymous daguerreotypes, 64
archival theory, 65
archival, library, and museum traditions, 64, 65
Art Institute of Chicago, 66
artifact archives, 67, 68
artificial collections, 65
attempts to maintain order, 65
Center for Creative Photography, 66
container list, 64
Corbis, 67
cultural artifact, 65
distinction between curators and archivists, 67
Eastman House, 67
emphasis in art museum, 64
features, 65
finding aid, 64
further reading, 68
genre sustaining donor interest, 67
historical evidence, 67
Hulton Archive, 67
item-level access, 65
layers of meaning of photographs, 65
library collections, 68
library special collections, 66
Machine Readable Cataloguing, 66
manuscript collections, 67
Margery S. Long and, 65
motion pictures, 67
museum collections, 67
non-profit historical organizations, 66
organization methodology, 64
original order of photographs, 66
PABIR slogan, 67
parallel between library and archival practice, 64
photographers’ archives, 66, 67
photographs as primary source materials, 68
photographs in archives, 65, 66
primary source materials, 68
processing of, 64
professional staff, 64
research collection, 66
respect for original order, 64
Society of American Archivists, 65
Special Media Archives Services Division, 66
true archives, 64
U.S. government, 66
unit to be identified, 64
Women in Photography International Archive, 67
Arnold, Eve, 68–71
American, 68, 69
biography, 69–71
female insight, 69
further reading, 71
Hollywood stars, 69
human condition, 68
individual exhibitions, 71
Magnum Photos, 68, 69
Marilyn Monroe, 69, 70
photojournalism, 68
portraiture, 69
relocation to England, 69
Rolleicord camera, 69
selected works, 71
unpredictability of photography, 68
use of color, 69
vision, 68
words accompanying pictures, 69
Art Institute of Chicago, 71–73
archives of, 66
Association of Arts and Industries, 71
competition with European product design, 71
contemporary photography shows, 72
curatorial departments, 71
establishment of photography as art form, 72
exhibitions by photographers early in their careers, 72
further reading, 73
graduate program in photography, 71, 72
Hugh Edwards and, 72
Illinois Institute of Technology, 71
influential curator of photography, 72
Institute of design’s contribution to American photography, 72
Julien Levy Collection, 72
New Bauhaus: American School of Design, 71
president of, 72
School of the Art Institute, 71
series of evolutions, 71
size of, 71
Society of Amateur Photographers, 72
Art Nouveau, Herbert Bayer and, 105
Art photography, 104
Artists’ books, 73–76
altered books, 73
art fairs, 74
art movements and, 73
binding of, 73
book forms excluded, 73
Carnegie Mellon Libraries, 74
Constructivism, 73, 74
containers of information, 73
Dadaism, 73, 74
desk-top publishing, 74
Dieter Roth and, 74
digital technological changes and, 74
Expressionism, 73, 74
Franklin Furnace, 74
funds for production of, 74
further reading, 76
Grolier Club, 73
limited editions, 73
literary sausages, 74
livre d’artistbooks, 73
mass-production of books, 73
National Endowment for the Arts funding, 74
Printer Matter Bookstore, 74
Robert Heinecken and, 73
rubberstamping, 74INDEXI5