Composition (Continued)
further reading, 305
gaze, 304
impact of image, 305
lighting, 304
lines, 303–304
perspective, 304
planes, 304
responses to image, 303
rule of thirds, 303
scale, 304
shape, 304
vantage point, 304
Computer Aided Design (CAD), 1623
Concept Art groups, architectural photography and, 60
Conceptual Art, architectural photography and, 61
Conceptual photography, 305–308
After Walker Evans, 306
AIDS crisis, 307
Andy Warhol, 305
architectural forms and, 305
artists’ books genre, 305
Auditions, 307
auditions, 307, 308
characteristics of, 305
dematerialized image, 305
documentation of performance, 307
Duchamp’s radical use of ready-made, 306
Ed Ruscha’s photo-based books, 305
Eight Student Nurses, 306
emphasis of, 305
exploration of identity, 306
feminist theory and, 306
flourishing of in 1960s, 305
further reading, 308
gay subcultures, 307
General Idea, 307
histories, 308
impact of cinema, 306
message conveyed by photographic image, 305
method of documentation, 305
montage work, 306
philosophical principle, 305
photographic image as cultural text, 306
photographic lightboxes, 306
photographic reproductions, 305
photography as typology, 305
political issues, 307
popular culture, 307
poststructuralist philosophy, 306
reinterpretations, 308
rephotographing, 306
rigorously aesthetic composition, 307
Robert Rauschenberg, 305
sequential presentation, 307
sexual identity, 307
Stretch, 306
Conde ́Nast, 308–310
Advance Publications, Inc., 310
approval of photographs, 309
archive, 310
audience, 309
avant-garde approaches to portraiture, 309
Collier’s Weekly, 308
commissioned photography, 309consumer magazine publishing, 308
editorial themes, 309
further reading, 310
fusion of color photography and glossy magazine pages,
309
generous contract, 309
The History of Fashion Photography, 309, 310
Internet publication, 310
launching of photographers’ careers, 308
publishing empire, 308
stylistic preference, 309
Vanity Fair, 308, 309
Vogueart director, 309
Vogueeditor-in-chief, 309
Voguefashion editor, 309
Vogue, 308
Wmagazine, 310
Connor, Linda, 310–315
American, 310–312
anthropological notations, 311
best-known image, 311
biography, 312
conservationist sympathies, 310
cosmic relationships, 312
Critical Mass, 311
definition of self in nature, 311
depictions of landscape, 310
desert environments, 311
dream-like vignettes, 311
duplication of platinum print, 311
Earthworks, 310
enlightenment, 312
further reading, 313–314
group exhibitions, 312–313
The Heavens, 312
individual exhibitions, 312
lunar solar eclipses, 312
manifest destiny, 310
modern traveler in search of religious grounding,
312
Native American spiritual sites, 311
New Topographics, 311
oblique portrait, 311
overtaking of nature for corporate development, 311
prints of astronomical occurrences, 312
religious longings, 312
romantic leanings of work, 312
selected works, 313
Spiral Jetty, 310
spiritual energy, 311
spiritual interests, 312
summation, 312
symbiotic mythology, 311
tourist attraction, 310
Conservation, 315–320
acid free papers, 317
acid free tissue, 319
CD-ROM, 319
cellulose acetate film, 318
chemical changes, 317
cold storage, 316, 318
color photographs and negatives, 318
commonplace photography, 315
conservation papers, 317
digital media, 319INDEX
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