Photomontage(s) (Continued)
virtual reality and, 1621
Photo multiplier tubes (PMT), 302
Photosafaris, 30
Photo-Secession, 1229–1233
‘‘American Pictorial Photography Arranged by the
‘Photo-Secession’’’, 1230
Camera Work, 1231
Clarence White and, 1678
demise of organization, 1231, 1232
further reading, 1232
Little Galleries of, 290, 1231
origins, 1229, 1230
principles, organization, and goals, 1230, 1231
Photo-Secessionists, 1234–1238
Carl Van Vechten and, 1606
Francis Joseph Bruguie`re and, 176
further reading, 1238
Physical Science Study Committee of Educational Services
(PSSCES), 3
Pictorialism, 86, 87, 1262–1266
Clarence White and, 1678
further reading, 1264–1266
language of, billboards with slogans, 153
Robert Bourdeau and, 149
Picture Post, 1266–1268
Pierre et Gilles, 1268–1271
biography, 1269
French, 1268, 1269
further reading, 1271
group exhibitions, 1270, 1271
individual exhibitions, 1269, 1270
Piggyback photography, 78
Pinhole camera, 214
Pin-up photography, 1271–1273
Pixel, 218
Plate glass images, African, 34
Plossu, Bernard, 1273–1276
biography, 1275
French, 1273–1275
further reading, 1275
group exhibitions, 1275
individual exhibitions, 1275
selected works, 1275
Plowden, David, 1277–1279
American, 1277–1278
biography, 1279
books, 1279
further reading, 1279
PMT,seePhoto multiplier tubes
Point-and-shoot cameras, 210, 211
Polaroid Corporation, 1279–1282
Ansel Adams Research Fellowship, 254
corporate collection, 338
film, 214
further reading, 1282
Pollock, Jackson, 143
Polyvinyl chloride (PVC), 317
Pop Art
architectural photography and, 61
movement, 46
Popular photography, 1282–1283
Popular Photography,2
Porter, Eliot, 1283–1288
American, 1283–1285
biography, 1285
further reading, 1288
group exhibitions, 1286
individual exhibitions, 1285, 1286
selected publications, 1286–1288
Portraiture, 1288–1292
African, 24
contribution of Berenice Abbott to, 1
Eve Arnold and, 69
further reading, 1292
Portugal,seeSpain and Portugal
Posterization, 1292–1294
Postmodernism, 1294–1296
characteristic style, 1295
deconstruction and, 376, 377
further reading, 1296
influence of on Australian photography, 89
postmodernism and photography, 1295, 1296
sociohistorical age, 1294, 1295
Pound, Ezra, 6
Pravda,42
Pre-Civil War American buildings, recording of, 3
Prince, Richard, 1296–1299
American, 1296, 1297
biography, 1298
further reading, 1299
group exhibitions, 1298, 1299
individual exhibitions, 1298
selected works, 1299
Print contrast, 327
Printer Matter Bookstore, 74
Printing frame easel, 324
Print processes, 1299–1304
further reading, 1303
monochromatic iron processes, 1301
monochromatic pigment processes, 1301, 1302
monochromatic silver processes, 1299–1301
subtractive color processes, 1302, 1303
Private collections, 1305–1307
Process color, 302
Professional organizations, 1308–1310
Professional periodicals,seePeriodicals, professional
Proof sheets, advantages of, 325
Propaganda, 1310–1313
African missionaries and, 34
further reading, 1313
propagandists, 42, 57
tool, architecture as, 59
Provincetown Playhouse, 1
PSSCES,seePhysical Science Study Committee of Educational
Services
Public art photography, 1313–1316
Pure photographic aesthetic, 6
Pushkin Museum, 122
PVC,seePolyvinyl chlorideR
Rainer, Arnulf, 1317–1320
Austrian, 1317, 1318
biography, 1318, 1319
further reading, 1319, 1320
group exhibitions, 1319
individual exhibitions, 1319INDEXI49