Victoria and Albert Museum (V&A) (Continued)
further reading, 1617
genre concentrations, 1617
international collection, 1617
museum as research institution, 1617
Photographic Society of London, 1617
reference collection of publications, 1617
Vienna Actionism,seeWiener Aktionismus
View cameras, 214, 215
Vinegar syndrome, 318
Virilio, Paul, 1618, 1619
Aesthetics of Disappearance, 1618
apprehension for the future, 1619
Architecture Principe, 1618
art critic of technology, 1618
biography, 1619
Claude Parent and, 1618
criticism of contemporary art, 1619
dromology, 1618
French, 1618, 1619
further reading, 1619
Howard Hughes, 1619
influential ideas, 1619
nostalgia, 1619
oblique function, 1618
primary interest, 1618
selected works, 1619
September 11, 2001, and, 1618
violence of speed, 1618
Virtual reality (VR), 1620–1623
altering of images, 1620
Ansel Adams’ Zone System, 1620
architectural photography and, 62
basis of film, 1620
Computer Aided Design, 1623
definition of, 1620
digital imagery and, 1623
fashion photography, 1620
further reading, 1623
hand-coloured photomontages, 1622
images from television shows, 1622
Internet and, 1622
Jerry Uelsman and, 1621, 1622
Joel-Peter, 1620
magazine ads, 1621
Man Ray and, 1621
method of darkroom alteration, 1621
models decorated with, 1621
movie-like, 1622
music groups, 1622
negative montage, 1621
oldest method of achieving effects, 1620
Pablo Picasso and, 1621
photomontage, 1621
Pop artists, 1621
Ralph Meatyard and, 1621, 1622
semi-robotic figures, 1622
sensual experience and, 1623
Shanghai stock exchange, 1623
simulation games, 1622
solarization and, 1621
staging and, 1620
suspension of disbelief, 1620
switching roles of stage and reality, 1620
technical media, 1620
vernacular photography and, 1620
William Wegman and, 1622
Vishniac, Roman, 1623–1626
biography, 1625
business of discovery, 1625
color microphotographic images, 1623
concentration camp, 1624
documents of time and place, 1623
Edward Steichen, 1623
fascination with nature, 1623
favorite portrait, 1625
fugitive Jews, 1623
further reading, 1625
German political climate, 1624
group exhibitions, 1625
hidden camera, 1624
Holocaust, 1623
idea, 1625
individual exhibitions, 1625
jewels in the mud, 1625
march in Nazi uniform, 1624
political protests, 1624
portrait photography, 1624
Rolleiflex camera, 1624
Russian Revolution, 1624
Russian, 1623–1625
selected works, 1625
sensitivity toward life, 1625
threatened, 1624
ultimate concerned photographer, 1623
Visual Anthropology,27
Visual anthropology, 1626–1629
art world as system of power relations, 1627
control of camera, 1626
definition of, 1626
deployment of camera in research situations, 1626
didacticism and display, 1627
fading of modernist paradigm, 1626, 1627
feminist scholarship, 1628
found way of structuring world, 1627
fugitive testimony, 1626
functional display of objects, 1628
further reading, 1628, 1629
international communication, 1627
Margaret Mead and, 1626, 1628
memorial museums, 1628
National Geographic, 1627
NEThing Company, 1627
objectivity of knowledge, 1627
pioneer in, 1626
Pitt Rivers Museum, 1628
Portfolio of Piles, 1627
relationship between visual and verbal signs, 1628
self-critique, 1627, 1628
staged cibachrome dramas, 1628
subjects, 1627
unequal looking relations, 1627
Visual documentary, contribution of Berenice Abbott to, 1
Visual grammar, 120
Visual music, 1602
Visual Studies Workshop (VSW), 38, 74
Book Bus, 38
overall goals of, 38
Voguemagazine, 1, 308
art director, 309INDEXI61