Webb, Boyd (Continued)
expatriate artist, 1647
further reading, 1649
group exhibitions, 1649
individual exhibitions, 1648, 1649
interest in human biology, 1648
New Zealand, 1647, 1648
River Crossing, 1648
Robert Self Gallery, 1647
satire, 1647
science fictional work, 1647
selected works, 1649
tableaux, 1648
Zygote, 1648
Weber, Bruce, 1651–1653
Abercrombie and Fitch, 1651, 1652
accusations, 1651
American, 1651, 1652
biography, 1652
black and white photographs, 1651
Calvin Klein advertisements, 1651
film career, 1652
further reading, 1653
group exhibitions, 1652
individual exhibitions, 1652
influences on, 1651
intimate lifestyle-like settings, 1651
Let’s Get Lost, 1652
portraiture, 1651
Roadside America, 1652
selected works, 1652
technically acute work, 1651
videos, 1652
Weber, Wolfgang, 1653–1655
author, 1653
biography, 1654
Das Gesicht der Sta ̈dte, 1653
estate, 1654
further reading, 1654, 1655
German, 1653, 1654
group exhibitions, 1654
individual exhibitions, 1654
magazine work, 1653, 1654
pioneer of modern photojournalism, 1653
political personalities, 1654
television, 1654
Ullstein Verlag, 1653
Wedding photography, 1655–1658
challenges to industry, 1656
commercial cabinet photographs, 1655
difficulties in, 1656
digital processes, 1656
further reading, 1656–1658
history, 1655
locations, 1656
loss of quality, 1655
non-western cultures, 1655
photojournalistic, 1655
poses, 1655
predominant styles, 1655
professional organizations, 1655
proofs, 1656
sociological levels, 1656
trade terms, 1655
traditional, 1655
variety in albums, 1656
Wedding Video Exposition, 1656
Weegee, 1658–1662
ACME News Pictures, 1658
Action Photographyexhibition, 1658
American, 1658–1660
biography, 1660
books published, 1659
camera used, 1658
connection with subjects, 1660
corporate collections, 339
The Critic, 1658
further reading, 1660
group exhibitions, 1661
individual exhibitions, 1661
innovations, 1658
John Coplans and, 329
most famous image, 1658
naivete ́of images, 1659
Naked Hollywood, 1659
photo-caricatures, 1659
photographs acquired by MoMA, 1658
police emergency calls, 1659
poor man’s Stork Club, 1660
press photographer, 1659
Rembrandt light, 1659
rise to celebrity status, 1659
seedy New York City, 1658
selected works, 1661
Squeegie Boy, 1658
trademark, 1660
trust by subjects, 1658
Weems, Carrie Mae, 1597, 1663–1667
activism, 1663
Alpert Award in the Arts, 1664
alternative to the feminist gaze theories, 1664
American, 1663, 1664
anthropology, 1663
biography, 1664, 1665
challenge to herself and audience, 1663
civil rights, 1663
deconstruction issues, 1664
documentary foundations, 1663
Family Pictures and Stories, 1663
further reading, 1666, 1667
group exhibitions, 1665, 1666
individual exhibitions, 1665
interest in African-American folklore, 1663
J. Paul Getty Museum commission, 1663
National Museum of Women in the Arts, 1664
Pleasures and Terrors of Domestic Comfort, 1663
reproaching of popular culture, 1664
room-sized installations, 1664
selected works, 1666
Wegman, William, 1667–1672
American, 1667, 1668
biography, 1668
conceptual investigations, 1667
Family Combinations, 1667
further reading, 1672
genres, 1667
group exhibitions, 1668–1672
humor, 1668
incorporation of found objects, 1667
individual exhibitions, 1668INDEXI63