Three-Dimensional Photography - Principles of Stereoscopy

FLASH IN STEREO 107 a display mannequin as the model so that any difference must neces- sarily be a result of the technique, not ...

108 THREE-DIMENSIONAL PHOTOGRAPHY now has a far more definite modeling than in the first. However, the pointed shadow beneath th ...

FLASH IN STEREO I09 cited similar to that observed in animals’ eyes when illuminated by a light almost in line with the eyes of ...

110 THREE-DIMENSIONAL PHOTOGRAPHY Then too, room walls affect the color, and as these are usually a warm tint such as cream, ivo ...

FLASH IN STEREO 111 more costly than the clear type and have a decidedly lower output. For example the Sylvania SF (F) has a pea ...

112 THREE-DIMENSIONAL PHOTOGRAPHY than the lens and about twice as far from the subject as the first one. DAYLIGHT FLASH.-TO mos ...

FLASH IN STEREO 113 Flash is and can be combined with daylight to very good ad- vantage, and while some experience is necessary ...

114 THREE-DIMENSIONAL PHOTOGRAPHY FLASH TECHNIQUE.-under the usual conditions, the flash is the specific illuminator of the prin ...

FLASH IN STEREO 115 Unless desired as a form of bizarre pattern, such a light pattern is highly irritating. Flash should be used ...

116 THREE-DIMENSIONAL PHOTOGRAPHY ing incident to the cloudy light, but it will highlight the rain itself and by the sparkling r ...

FLASH IN STEREO 117 Thus you can have the flash intensity, at the principal object, below daylight, equal to it or greater than ...

118 THREE-DIMENSIONAL PHOTOGRAPHY flash or even more, or it may be one-half or one-third. There is no definite intensity level f ...

CHAPTER 8 COLOR IN STEREO ODERN STEREO IS COLOR STEREO. Not only is color predomi- M nant but it adds specifically to the realis ...

120 THREE-DIMENSIONAL PHOTOGRAPHY he made three positives, maybe dye masters for imbibition, maybe carbons for carbro, perhaps i ...

COLOR IN STEREO 121 our color perception changes to transform this golden yellow into “white.” “White” might be defined as the c ...

122 THREE-DIMENSIONAL PHOTOGRAPHY sufficient photographic intensity), and obtain a color picture of better than average color ba ...

COLOR IN STEREO 123 a light which has too little blue. How can you make up the de- ficiency of blue in the photoflood? You canno ...

124 THREE-DIMENSIONAL PHOTOGRAPHY use with any film, and when using daylight film this is extended to 30,000K. These filters are ...

COLOR IN STEREO 125 stereograms of mountain scenery. Others obtained a suggestion of the effect, but the blue was dull and incli ...

126 THREE-DIMENSIONAL PHOTOGRAPHY and-white. In short we are slowly becoming filter conscious in color work. Yes, it does involv ...