Sartre

massive Flaubert “biography” as a summation of his metaphysical, aesthetic, political and ethical pursuits described and analyze ...

continues] he indicated what status revolution necessarily and effectively grants the idea of freedom. At that point his line of ...

to Sartre’s view of his mother’s “abandonment” of him by marrying Joseph Mancy – the parallel (seeEB 47 ) is striking, though le ...

“consciousness” in Sartre’s works, that betray a sense of something like the unconscious invading his theory.^12 How, then, is B ...

Mallarme ́: the shadowy side of lucidity Sartre’s study of Mallarme ́,^13 considered one of his masterpieces, is one of the larg ...

Michael Scriven argues that in all his biographies (his “biographical project”), Sartre aims to promote and exhibit “the belief ...

One could call this a Janus-faced view of aesthetic critique – namely, that the tilt ofl’art pour l’arttoward aestheticism can b ...

The two-pronged nature of Sartre’s biographical method – namely, the co-presence of existential psychoanalysis and historical ma ...

significations” (CDRi: 776 ). On the other, he employs a term from the Critiqueto describe objective spirit ontologically as “cu ...

but becomes more marked as the key to his emerging social ontology in “Materialism and Revolution.” In the Flaubert study, let u ...

Mallarme ́’s pessimistic metaphysics [claims that] within matter – that shapes infinity – there seems to be some deep-seated nee ...

empirical modifications of his environment [which] may lead him to alter his original project” (M 97 ). Such, for Mallarme ́, is ...

beyond his lucidity; for his basic question was: “Can we ever find within determinism a way out of it?” Can we reverse praxis an ...

kind of imagination evoked inMadame Bovaryinto the kind of imagin- ation which producedMadame Bovary.”^32 The argument ofThe Fam ...

is deprivedfrom the startof the cardinal categories ofPraxis.”^36 Denied his mother’s love and his father’s preference, young Fl ...

At last Flaubert’s self-hatred and resentment converge with his project of personalization: in derealizing himself as artist, he ...

same time understood himself admirably”^43 – and lived experience (le ve ́cu) or “life aware of itself ” – of which Sartre said: ...

Lest we conclude that Flaubert’s concept of art as the imagining of being is merely the subjective outpouring of a disturbed min ...

much of Sartre’s published work but, I would argue, reach their most compelling form inThe Family Idiot. The ambiguity of being- ...

character of “totalization” in the Flaubert text.^55 But now the vocabular- ies ofBNand theCritiquewere superimposed, if not syn ...