indeX

page references in italic indicate Figures. These
are also listed in full after the Contents at
the start of the book.

aaa (atelier d’architecture autogérée) 233
academic community 83–5; audience 86–7,
91–2; coherence 83–4, 85–7, 89–90; and
discipline boundaries 87; dissatisfaction
sources 90–6; hasty academicization of the
creative practice community 87–90, 97–8;
norms/conventions 84, 85, 90, 91, 96;
practices/actions 83–4, 86–7, 90; tensions
between practice community and 89–96;
values 83–6, 87, 89–90, 94
academic prestige 39–40
ackroyd, p. 198
action inquiry 184
action painting 280, 286
action Research 184
actor-network Theory 226
adorno, T.W. 50, 294
aeC (association européenne des
Conservatoires) 9
aesthetics: the aesthetic domain 335, 344;
aesthetic experience and art’s relationship
to knowledge 142–4; ‘aesthetic’ of
methodologies 362; Baumgarten 347,
352n2; neurobiological basis of 106;
research 49–50; sensuous knowledge of 347
ahRC see arts and humanities Research
Council
alberti, l.B. 40, 41
allegue, l. et al. 320
almarcegui, l. 345–6
anderson, C. 402
anderson, s. 72

andrews, K. 159

ang, T. 346

anthropology of the arts: art after the

media 300–3; Flusser’s anthropological

intermediate step 297–8; Ritter’s

operational anthropology 294–7

apollonius 304–5

aRC (australian Research Council) 5, 18

architectural thinking 224–6, 232–4, 236, 237,

238

architecture and design scholarship, knowledge

production modes 68–74

arendt, h. 168, 357

aristotle 55, 143, 156, 183, 187, 347

arnheim, R. 101, 148–9

ars electronica festival, linz 300

art: and aesthetic experience in relationship to

knowledge 142–4; after the media 300–3;

anthropology of the arts see anthropology of

the arts; artefacts see artefacts; interactive

digital art 122, 131, 212–16; landscape

painting see landscape painting; looking at

rhetorical research and seeing art 161–3;

original artwork 55, 313, 392–4; ownership

see ownership of artworks; place of the

artwork in visual and performing arts

326–30; pop art 299; prejudice against the

visual arts as modes of research 142–4; in

public space 343–7; research see arts-based

research; revenues and entrepreneurship

398–400; transformational practice, the

place of of material novelty in artistic change

see artistic renewal, interpretational and

material practices; and the transformation

of experience 149–50; visual cognition and

artwork 114–16 see also artistic cognition;