Somebody Telling Somebody Else A Rhetorical Poetics Of Narrative
Wallace (the police investigator): “Let’s talk about the ice creams. Your waiter says he was bringing them to the table at the t ...
McEwan provides an answer in his implicit communications about the temporal occasion and the purpose of Joe’s narrative, especia ...
also cannot stay in full control of the narrative and he therefore falls short of achieving that purpose. Nevertheless, because ...
their relationship. Reid happens to hold the Euler Chair in Logic (!) at Oxford University, and now that they have gone public, ...
engagement with the narrative, and in so doing enrich its affective, ethical, and aesthetic dimensions. The long answer follows. ...
love. Indeed, the affective power of these last paragraphs contributes to the judgment that Joe’s narrative would make a fine st ...
Second, Wenn and Camia’s article gives McEwan’s audience a much clearer understanding of erotomania than Joe offers in his narra ...
more, the interaction also points to a significant similar shortcoming in each narrative. Each teller’s framework of experience ...
state’s actions are appropriate, but there’s something profoundly sad about the intractability of Jed’s delusion and the conditi ...
APPENDIX II The new information in Wenn and Camia’s article about Jed and about Joe and Clarissa also sets up some significant i ...
adore you. I live for you. I love you. Thank you for loving me, thank you for accepting me, thank you for recognizing what I am ...
point where Jed’s presence has already seriously disrupted Joe’s relationship with Clarissa and at a point where rhetorical read ...
Keats to Fanny Brawne that Clarissa has been unsuccessfully trying to track down: “a cry of undying love not touched by despair” ...
CONCLUSION Reflections on the How and Why of Rhetorical Poetics 257 I ROUND OFF this inquiry with a few reflections on the proje ...
the interpreter, progress often involves recognizing the teller’s orchestration of the interactive effects of various resources, ...
that can flow from engaging with a powerful telling. The project believes in the potential efficacy of the cognitive, affective, ...
...
261 Abbott, H. Porter. Real Mysteries: Narrative and the Unknowable. Columbus: Ohio State Univ. Press, 2013. Abel, Elizabeth. “ ...
Bauby, Jean-Dominique. The Diving Bell and the Butterfly. Trans. Jeremy Leggatt. New York: Vin- tage Books, 1998. Berman, Russel ...
Faulkner, William. As I Lay Dying. 1930. New York: Knopf, 1990. ———. The Sound and the Fury. 1929. New York: Vintage, 1990. Finn ...
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