- THE ALLURE OF THE VENEER285
- G. Harman 2011b, The Quadruple Object (Ropley: Zero), 38.
- Ibid., 43–44.
- Ibid., 46.
- B. Latour 2005, Reassembling the Social: An Introduction to Actor-Network-Theory
(Oxford: Oxford University Press). - Ibid., 79.
- J. Bennett 2010, Vibrant Matter: A Political Ecology of Things (Durham: Duke Univer-
sity Press), ix. - Ibid., xiii.
- Ibid., 117.
- Ibid., viii.
- Ibid., 4.
- Ibid., 6.
- Ibid., 17–18.
- Ibid., ix.
- Ibid., xiii.
- E. Fudge 2002, “A Left Hand Blow: Writing the History of Animals,” in N. Rothfels,
ed., Representing Animals (Bloomington: Indiana University Press). - Bennett 2010:4.
- Harman 2011b:16–19.
- Ibid., 8–13.
- G. Harman 2002, Tool-Being: Heidegger and the Metaphysics of Objects (Chicago: Open
Court), 42. - H. D.Thoreau, Journal, 2:313, quoted ibid., 126.
- Harman 2011b:24–25.
- H. Wölfflin 1896, “How One Should Photograph Sculpture,” trans. G. A. Johnson, Art
History 36 (February 2013): 52–71. - Ibid., 52–53.
- Ibid., 53–54.
- Ibid., 54.
- Ibid., 57–58.
- Ibid., 58.
- Ibid., 59.
- Harman 2011b:24.
- M. Foucault 1969a, The Archaeology of Knowledge, trans A. M. S. Smith (London: Rout-
ledge, 2006), 64. - Ibid.
- J. Derrida 2008, The Beast and the Sovereign, vol. 1, trans. G. Bennington (Chicago:
University of Chicago Press, 2009), 280. - B. Latour 1991, We Have Never Been Modern (Cambridge: Harvard University Press),
- R. Broglio 2011, Surface Encounters: Thinking with Animals and Art (Minneapolis: Uni-
versity of Minnesota Press), xvii. In his discussion of Damien Hirst’s work Mother and
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