INDEXaesthetic disinterest, 35–36, 222
affirmation, 72, 99, 165, 173, 199–203, 224;
classical, 152, 165, 175, 322; Foucault’s
conception of, 147–148; in photography,
155–156; of viewer, 144–146, 201. See also
nonaffirmation
agency, 4, 10, 30–31, 47–49, 72, 140–141, 144,
149, 179–181, 192, 196–197, 201–202, 223; of
Anthropocene, 22, 24–30, 35, 101,
106–107, 139, 164–165, 172, 175, 223, 237,
244, 247, 254; in Cezanne’s paintings,
165–167; linguistic, 53–54, 56–57; of the
tableau objet, 150–151
anthropocentrism, 16, 21, 29, 31, 153, 158,
175–177, 194, 196, 224, 249; and Cezanne,
165–167; and new materialism, 199–200
anthropomorphism, 158, 249
Appadurai, Arjun, 2, 32, 54–55, 137
archaeology (Foucault), 47–49, 57;
taxidermy as, 208–209
Audubon, John James, 73–74
automaton, 67, 95–97
Baker, Steve, 7, 22–23, 25, 178, 182–183, 207
Barad, Karen, 137, 175, 198, 219–220
Barthes, Roland, 151
Baudelaire, Charles Pierre, 116, 142
Bécœur, Jean-Baptiste, 58–59
bees, 37, 246–247, 254–255
Benjamin, Walter, 179–180
Bennett, Jane, 175, 196–200, 244
Bennett, Tony, 110–111
Bentham, Jeremy, 93–94
Berger, John, 34–35, 143–144
Bestiarium, 79–88
biopolitics, 24–28, 38–39, 237
Bishop, Steve, 21, 36, 221, 225, 233–234,
238–239, 242
botanical illustration, 89–90. See also
herbarium
botched taxidermy, 22–25, 178, 183, 209
Bougonia, 37, 247–248, 251, 254
Braque, George, 166, 175, 184, 187
Breton, Andre, 36, 163, 223
Broglio, Ron, 7, 34, 71, 87, 177, 205,
224, 243
Brown, Bill, 55, 224
Browne, Montagu, 45–47, 118–119, 121,
123–125, 130, 202
Buonarroti, Michelangelo, 123