Artists & Illustrators - UK (2019-10)

CLAUDE MONET ABOVE Claude Monet, Wisteria, 1917-’20, oil on canvas, 150.5x200.5cm LEFT Claude Monet, Water Lilies, 1916 - ’19, o ...

room, as four of the artist’s seven Wisteria canvases are brought together. Each measuring more than two metres wide, they are d ...

COLUMNIST Recreating an artwork that you admire will teach you a lot about your technique Ourcolumnist LAURA BOSWELL ponders whe ...

ANNE-MARIE BUTLIN shows how using warm grounds, energetic brushwork and subtle colour shifts can bring tranquillity and life to ...

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3 Pin down the image I used Sap Green and a 1” square-edged brush to map out the strong lines of the plant stems and start to ge ...

8 Refine the flowers I started to refine the drawing on the flowers using an almost pure Titanium White with Lemon Yellow. I had ...

In the third of his series, HASHIM AKIB demonstrates how to bring harmony to your compositions using the Japanese concept of Not ...

PORTRAIT EXERCISES M any artists strive to find the most well balanced or harmonious composition in their drawings or painting a ...

PORTRAIT EXERCISES AIM Notan is extremely useful when dealing with figures on busy backgrounds, full figures or multiple figures ...

PORTRAIT EXERCISES PROCESS 1 Choose a complicated scene to paint. I used a photo of a busy street with pedestrians in the backgr ...

passionate educator for more than 15 years, teaching a multitude of workshops and college courses on the subject. Colour is so p ...

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COLOUR THEORY Tonality COLOUR THEORY In his new series on colour theory, Pennsylvania Academy of Fine Arts tutor AL GURY begin ...

Tone, or tonality, is often used as a term to describe value in drawing and painting. Tones of colours are referential to the va ...

COLOUR THEORY values. He chose white and black as important colours at the extreme ends of this simple scale and palette. His co ...

PRACTISEMAKESPERFECT Howdoesoneunderstandandlearn thevaluesofcolours?Thereare severalusefulexercisesyoucouldtry. First,usea 10-p ...

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F DLEY’S pr ure the warm glow of a woodland glade in watercolour T he inspiration for this painting came in an instant, during a ...