The Sunday Times - UK (2022-05-01)

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22 The Sunday Times May 1, 2022

NEWS REVIEW


I


f you scrolled through the news
sites on Wednesday you would
have read about an investigation of
sexual misconduct claims against
the former BBC DJ Tim Westwood;
about witness reports from a pro-
Ukraine rally in the occupied city of
Kherson; and about the withdrawal
from bookshops of one of the Biff,
Chip and Kipper children’s books
after an outcry over depictions of appar-
ently Muslim characters who are
described as “scary”. These news stories,
which would appear at first glance to
have little in common, all had the same
source: Twitter.
To the casual observer, the interest
generated by Elon Musk’s $43 billion buy-
out may seem baffling. Twitter has
329 million users, a modest number next
to Facebook’s three billion. It is used less
often than YouTube and by an older
demographic than TikTok. It is a minnow
in the social media swamp, but its influ-
ence on public life is huge.
Twitter was where many people learnt
Michael Jackson had died; it was where
mass movements such as Black Lives Mat-
ter and #MeToo grew; and it was the stage
on which Donald Trump cut loose,
before his account was suspended in Jan-
uary last year. It has been a key tool in cat-
aloguing Russian war crimes in Ukraine.
It has also evolved rapidly. When the
writer and broadcaster Helen Lewis
joined in 2007, the site was all about
harmless fun. “It felt like an anarchic
community, full of jokes and silliness —
dumb stuff like ‘Replace a word in a film
title with cheese’,” she says. The mood
changed in about 2014. “It became much
nastier and more tense. Then came
Brexit, Trump, Corbyn, the gender wars

... The divisive politics of the past few
years has often made social media feel
like a wasteland patrolled by angry


Rebecca Thomson was a 26-year-old reporter
on a niche computer magazine when she first
revealed a gross injustice at the Post Office.
Only now, 13 years on, is her scoop getting the
credit it deserves, writes Sabah Meddings

for a decade as others
reported on the Post Office
story. The cause was
eventually taken up by
politicians — notably by Lord
Arbuthnot, a former MP, who
says he was “galvanised” by
Thomson’s original reporting
— and the subpostmasters
have continued to campaign
to clear their names. “It was
really exciting when big
things happened, and it was a
little bittersweet. I would
have loved to have continued
to help,” she says.
Seven years after her
investigation, Thomson was
contacted on Twitter by Nick
Wallis, a freelance journalist,
asking to speak to her about
Horizon. Soon afterwards,
she says, her boss at the
accountancy firm was
contacted by a senior
partner. The Post Office was a
client and had seen the tweet.
“It was something along the
lines of, ‘She needs to tread
carefully’,” Thomson recalls
being told. It wasn’t until
months later, when she had
left the job, that she was able
to tell Wallis her story.
Thomson, now a freelance
journalist, met Lee Castleton,
53, in person for the first time
in November at the launch of
Wallis’s book, 12 years on
from her original story.
Castleton, now an electrician,
is still fighting for proper
compensation.
Yet while her appearance
on Panorama last week has
prompted an outpouring of
gratitude on social media,
Thomson is uncomfortable
with praise. “I don’t know
what to say, because they did
all the hard work,” she says of
the subpostmasters and their
efforts. “They achieved this
extraordinary thing.”

What is posted on Elon Musk’s $43 billion plaything
has a disproportionate influence over politics and
the media. It’s a Wild West forum that has already
undermined democracy, writes Rosie Kinchen

the equivalent of dipping their private
parts in honey and exposing them to
angry bees,” wrote the political journalist
Isabel Hardman.
Those who remain on the site are
increasingly changing how they use it.
Emma Barnett, presenter of Woman’s
Hour on BBC Radio 4, was technology
correspondent for The Daily Telegraph
when Twitter was launched in 2006.
“Whether it’s abusive, whether it’s — in
inverted commas — a critique of an inter-
view, whatever it is [that people] are con-
tributing [on Twitter], it is not a request
for genuine conversation any more. I’m
not being treated like somebody who is a
real person. I am more of an object.” She
still finds it a useful source of stories but
doesn’t look at her mentions or engage
with people replying to her tweets.
Twitter has guarded its data closely
since growth began to slow, but it does
provide a free real-time stream of 1 per
cent of all tweets. Using this data, Forbes
magazine concluded that between 2012
and 2018 the number of people tweeting
each day fell by 100 million, and the num-
ber of tweets dropped from 500 million a
day to 300 million. Barnett says more and
more accounts are disappearing behind
the “private” padlock.
“Let’s make Twitter maximum fun!”
Musk tweeted on Wednesday night, but
his commitment to free speech raises
legal questions — and commercial ones.
Many users, including advertisers, will
find it hard to drag themselves away
while the mad Musk show is generating so
many headlines. But if the platform
becomes toxic, advertisers will sever ties.
Lewis does not rule out going back to
Twitter, but for now she is enjoying the
peace. “Someone asked me last week if it
felt like I didn’t have any friends now I’ve
left Twitter. I said it was the opposite: it
feels like I don’t have any enemies.”

There’s a new


sheriff in


Twitter Town


but he should


be worried


West longer than any other platform.
When Leslie Miley joined the company as
head of security in 2013, there was a
20-step complaints procedure to have a
graphic or abusive tweet removed, and
even then the success rate was less than
50 per cent. When Miley’s team reduced
it to an eight-step process, the number of
complaints doubled.
Miley, who has since left Twitter,
remembers a meeting about online
safety shortly after Twitter had bought
the video service Vine. He raised his con-
cerns: “People are going to live-stream
rapes and killings, all sorts of bad things
are going to happen and this is not going
to end well.” The response was ambi-
valence. “It is not our place to stop that,”
he says he was told.
In recent years Twitter has attempted
to rein itself in. “The purpose of Twitter
is to serve the public conversation,” said
Jack Dorsey, the platform’s co-founder
and former chief executive, in 2018.
Since then it has started measuring “con-
versational health”, the character limit
has been extended to 280 and prompts
have been introduced to encourage users
to read an article before they share it.
Divisive and damaging accounts have
been suspended, including those of the
far-right Briton Tommy Robinson and
Donald Trump. Haidt is sceptical that any
of this has made a difference: “If you have
strangers who are not verified human
beings interacting on a platform where
they are performing, not communicat-
ing, then there is no way to make it good.”
Musk says he is a free-speech absolu-
tist — within the bounds of the law. That
line will become a lot harder to tread
when the Online Harms Bill is passed in
the UK and the EU’s Digital Safety Act
becomes law. Has Musk considered this
changing landscape? He must be aware
that laws on free speech can be inconven-

ient; he has so far failed to overturn his
own legal agreement to have all his
tweets relating to Tesla scrutinised by a
lawyer before he publishes them.
The other risk Musk faces is that the
nastier the site becomes, the more peo-
ple with influence will leave. Shortly
before his takeover bid, Musk tweeted
that many of the ten most-followed
accounts, including those of Barack
Obama and Taylor Swift, rarely said any-
thing. “Is Twitter dying?” he asked.

L


eaving only to return again has
become a 21st-century cliché, but
increasingly people are sticking to
their guns. Lewis left in 2012 only to
be accused of flouncing when she
returned. She deactivated her account
again recently and says the overriding
reaction from those who have noticed is
envy. “Many journalists I know have a ter-
rible, dysfunctional relationship with
Twitter. They feel they need it to be visi-
ble. But they also hate the feeling that at
any moment their phone could light up
with thousands of people laughing at
them or sending them abuse.”
Earlier this year The New York Times
updated its guidance for journalists, stat-
ing that having a Twitter account was
only optional, partly because of harass-
ment problems and partly because
“reporters can rely too much on Twitter
as a reporting and feedback tool”.
Haidt says: “If journalists were never
allowed to tweet, the world would be a
better place and journalism would be
better, but any journalist who goes off is
committing career suicide, because you
aren’t going to know what’s happening.”
British politicians who were once
encouraged to use Twitter as a means of
engagement with constituents have now
been encouraged to leave by parlia-
ment’s health and wellbeing service. “It’s

ARTWORK: TONY BELL

public and had often been
sent by the Argus to report on
criminal trials. “You get a
sense of whether or not
people are telling the truth,
and he was immediately very
believable,” says Thomson of
her first chat with Castleton.
She soon discovered there
were more victims. Jo
Hamilton, now 64, a
postmistress from South
Warnborough in Hampshire,
was prosecuted for theft and
14 counts of false accounting.
On legal advice she pleaded
guilty to the second

naval officer and a primary
school teacher. She took a
degree in economics at
Durham University before
training as a journalist. She
also has a master’s degree in
philosophy from Birkbeck, for
which she studied part-time
while at Computer Weekly.
It was in the middle of 2007
that Thomson arrived in
London after two years at the
South Wales Argus in
Newport. She wanted to break
into investigative journalism,
and Computer Weekly’s
stories were often followed up
by national papers. “They
prided themselves on that
kind of work,” she says. She
was offered £24,000 a year —
double her salary at the paper.
Collins, Thomson’s editor,
had received a letter from Lee
Castleton, a 40-year-old
subpostmaster from
Bridlington in East Yorkshire
who had been taken to court
over a £24,000 discrepancy
at his branch. Collins asked
Thomson to give Castleton a
call. She was astonished by
what she heard. Despite
repeated calls to the helpline
of the Horizon IT system,
Castleton was suspended. He
could not afford lawyers or IT
experts to look at his system
logs and was forced to defend
himself in the High Court. He
was left bankrupt after being
made to pay the Post Office’s
legal costs.
Thomson was used to
speaking to members of the

I


n May 2009, Rebecca
Thomson was preparing to
publish the biggest story of
her career. A 26-year-old
reporter at the trade
publication Computer
Weekly, she had landed the
job just two years after
graduating from a journalism
course at Cardiff University.
It was her first
investigation and she had
spent the past six months
speaking to Post Office
workers who claimed their
lives had been destroyed by a
faulty IT system. She had
seven case studies of people
who had lost everything after
the government-owned Post
Office had accused them of
stealing.
The story was featured on
the front page of the
magazine with the headline:
“Bankruptcy, prosecution
and disrupted livelihoods:
postmasters tell their story”.
Thomson and her editor,
Tony Collins, had pushed the
story as hard as they could.
They prepared for the scoop
to be picked up by the
nation’s news media.
But nothing happened.
There were no national
newspaper follow-ups; no
Radio 4 Today programme
interview requests. It was a
flop. “It really did go out to a
clanging silence,” says
Thomson, 39, of the paltry
few stories that appeared in
regional papers. “I was super-
ambitious, and I was

disappointed and a bit
confused about the fact that
there had been so little
reaction to the story, because
I still continue to feel it was
incredibly strong.”
It was to be a further
decade before these
subpostmasters, who had
become pariahs in their
communities, spat at and
labelled criminals, saw their
names finally cleared. But by
the time they won a High
Court victory in December
2019, Thomson had left
Computer Weekly, and
former colleagues and other
news organisations had
picked up the baton.
However, her story had fired
the starting gun for a years-
long battle to uncover what is
now considered the biggest
miscarriage of justice in
British legal history. She got
to tell her story at last in “The
Post Office Scandal”, an
episode of the BBC’s
Panorama show.
Thomson grew up in
Portsmouth, the daughter of a

These people
were clearly
not criminals

allegation; she was given a
year’s probation — and lost
her job. Thomson discovered
Hamilton on the internet
after finding a good-news
story tucked away in the Daily
Mail about villagers helping to
clear her debts.
Thomson named seven
former subpostmasters who
had been hounded by the
Post Office, accused of
stealing and even jailed. Noel
Thomas, now 74, of Gaerwen
in Anglesey, had worked for
the Post Office for 42 years
but was accused of stealing

and spent his 60th birthday
in prison.
In each case Thomson was
struck by how “kind, open
and honest” each victim was.
“It was such a human story, of
people being completely
steamrollered by something
that was so far out of their
control,” she says. “These
people were very clearly not
criminals. They were the type
of people you would expect
to be public servants and to
be playing a central role in
their communities.”
By the time Computer

Weekly’s lawyers were
comfortable enough to
publish the story, six months
had passed since that first call
with Castleton. The Post
Office, which is owned by the
taxpayer, had fiercely denied
any suggestion of wrongdoing
and the magazine was
worried about being sued —
particularly by the Japanese
computer giant Fujitsu,
which had designed the
Horizon software. Fujitsu was
eventually left out of the
story. At the time, the Post
Office said there was “no
evidence that points to any
fault with the technology”.
Still the story was not
picked up. “Nobody touched
it,” says Thomson. “It was the
subpostmasters’ version of
events against the Post Office.
And the Post Office was lying
really aggressively and saying
there was nothing wrong with
the system.”
Thomson went on to
cover the story for a year and
a half, reporting on the
formation of the Justice for
Subpostmasters Alliance
and on Seema Misra, a
postmistress from West
Byfleet in Surrey. Misra, now
46, had been accused of
stealing £74,000 and claimed
the IT system might have
caused the account deficit —
even showing the judge a
copy of Thomson’s original
story to back up her case. She
was sent to jail while pregnant
with her second child.
Thomson eventually grew
disillusioned with journalism
and took a job in marketing at
a big accountancy firm. She
lives in Beckenham, south
London, with her husband,
Digby Bodenham, 36, who
works in marketing, and has
watched from the sidelines

The investigation by
Rebecca Thomson was
revealed in Computer
Weekly, above. Below,
celebrating the quashing
of convictions last year

wolves who are ready to jump on any
stray comment.”
For some this undercurrent of anger
and discord poses a very real threat. In a
recent essay for the magazine The
Atlantic the American social scientist
Jonathan Haidt goes as far as to argue that
social media has weakened democracy.
“Social scientists have identified at least
three major forces that collectively bind
together successful democracies: social
capital (extensive social networks with
high levels of trust), strong institutions
and shared stories. Social media has
weakened all three,” he writes.
Speaking to me from his office in New
York, he has no doubt which site is doing
the most harm: “The single most destruc-
tive platform for democratic institutions,
I believe, is Twitter.” That is why Musk’s
takeover, and his absolute commitment
to free speech, matters so much. Twitter
stands at a crossroads, and the direction
in which it heads off could set the tone
for years to come.
The questions of what we should be
able to say online and how we should be

She exposed a national scandal — and nobody listened


able to say it are ones that all social media
companies have wrestled with — none
more than Twitter. The platform was not
just spawned from the libertarian engi-
neering culture that built the internet; it
was its greatest cheerleader — “the free
speech wing of the free speech party”, as
its founders used to say.
Many of Twitter’s problems are built
into its DNA. The original 140-
character limit left no room for nuance.
With little accountability or risk of pun-
ishment, there has never been a reason
to behave. Nor has anyone really been
thinking about the impact the site might
have on the human brain. In 2020, when
Haidt was invited to give a talk to Twitter
staff, the company employed only one
social scientist.
Pamela Rutledge, a media psycho-
logist, says negative news and negative
emotions spread faster than posi-
tive ones: “People get a biased
view of the world as more neg-
ative or hostile than it actu-
ally is. It activates the fight-
or-flight syndrome, which
increases aggression.” C
Thi Nguyen, a philosopher
at the University of Utah,
argues Twitter has “gami-
fied” conversation by giving
“immediate, vivid and
quantified evaluations of
one’s conversational suc-
cess. Twitter offers us points
for discourse; it scores our
communication.” If a nasty
or aggressive tweet is shared
and liked more, our reward
instinct is triggered and we
think of more of the same kind
of thing to say.
A libertarian ideology combined
with chaotic management made
sure that Twitter remained a Wild

Twitter has
gamified
conversation.
It gives us
points for our
communication

bsolute commitment
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Thi Nguyen, a
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argues Twitter
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VICKI COUCHMAN FOR THE SUNDAY TIMES

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