Materiality and the Modern Cosmopolitan Novel
154 Materiality and the Modern Cosmopolitan Novel implications of his career as a relatively sma ll-time internationa l cap- ita ...
Cosmopolitanism and Tragic Silence 155 descriptions of both Levov and Appleseed.^64 Indeed, both Thoreau and Emerson’s romantici ...
156 Materiality and the Modern Cosmopolitan Novel loved, and [... he] loved—pretending, as he went along, to throw the apple see ...
Cosmopolitanism and Tragic Silence 157 This ventriloquized thought of Levov’s indirectly reveals the very kind of ideologically ...
158 Materiality and the Modern Cosmopolitan Novel Of course, Thoreau and Emerson are patently wrong in this last assertion, as t ...
Cosmopolitanism and Tragic Silence 159 So, given the genuine magnanimity involved in his work, Levov feels depressed to see a st ...
160 Materiality and the Modern Cosmopolitan Novel reasons for Newark’s sudden social problems also reflects what Macherey descri ...
Cosmopolitanism and Tragic Silence 161 To clarify these premises, it is first necessary to elaborate upon the peculiar historica ...
162 Materiality and the Modern Cosmopolitan Novel While Levov seems vaguely aware of the rioters’ grievances, his faith in the n ...
Cosmopolitanism and Tragic Silence 163 Comforting Vicky, who sympathizes with the rioters’ social and political grievances, Levo ...
164 Materiality and the Modern Cosmopolitan Novel embedded in the structure of the tragedy, is one that stresses the nec- essary ...
Cosmopolitanism and Tragic Silence 165 significant aspect of the tragedy of Levov’s story is the loss of heritage and culture th ...
166 Materiality and the Modern Cosmopolitan Novel scenes are described evokes “Melville’s intricate scrutiny of the pro- cess of ...
Cosmopolitanism and Tragic Silence 167 The universal orientation of Ishmael’s descriptions of human practices is accentuated in ...
168 Materiality and the Modern Cosmopolitan Novel diligence), it is clear that they would not commonly permit vacation homes, ca ...
Cosmopolitanism and Tragic Silence 169 he studiously avoids mentioning in “his” narrative. But another factor that ought to be c ...
170 Materiality and the Modern Cosmopolitan Novel (particularly literature) represents for Ringold an important front on an ideo ...
Cosmopolitanism and Tragic Silence 171 This is called a piqu é machine, it sews the finest stitch, called piqu é , requires far ...
172 Materiality and the Modern Cosmopolitan Novel spend money and train workers” (pp. 129–130). Relocating abroad then comes as ...
Cosmopolitanism and Tragic Silence 173 filth. More poverty. Schooling nonexistent. Schools a disaster. On every corner dropouts” ...
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