The Rise and Fall of Meter
168 chapter 5 the same time showing how they are dependent on these same forms in the hospital. The Hydra received enough financ ...
Figure 5. New Series. Cover design by Mr. Adrian Berrington, published in The Hydra, November 1917. Mr. Adrian Berrington is cre ...
170 chapter 5 Brock called the fear of properly functioning in linear time, “ergophobia.” The magazine takes on “ergophobia” as ...
the trauma of meter 171 the writing is so poor it causes one to fall sleep, but also because the fact of writing might help the ...
172 chapter 5 country life, and he leaves the last stanza unfinished, taking up these images and sounds as part of the betrayal ...
the trauma of meter 173 If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the whi ...
174 chapter 5 patterns rather than any traditional military or literary discipline. Line 6, the longest line of the first octave ...
the trauma of meter 175 the measure of meter surrounding it. Rather than stammer through the expla- nation of the aftereffects o ...
176 chapter 5 cough, curse, turn, trudge, limp on, fit, choke, smother, pace, gargle, not tell— though the poem’s form recovers ...
the trauma of meter 177 letters are vivid and humorous, they were not without joy—for all skill is joyful—but felt bound, in the ...
178 chapter 5 struggle with his craft. His early reception was influenced by the soldier-po- etry fatigue of many poetry readers ...
the trauma of meter 179 For the average reader, Murry intuits, there is something not quite right about the unity of the poem, y ...
180 chapter 5 contexts of national culture in which English meter’s instability played a crucial role. In his 1934, A Hope for P ...
181 < 6 > The Before- and Afterlife of Meter If life is not always poetical, it is at least metrical. Periodicity rules ov ...
182 chapter 6 of patriotic poetry was already an abstracted, misrepresentative description for rhythm. To Pound, the collective ...
the before- and afterlife of meter 183 stop dead at the end, and then begin every next line with a heave. Let the be- ginning of ...
184 chapter 6 Pound neglects to mention, perhaps because he would rather not acknowl- edge it, that meter in the Victorian era w ...
the before- and afterlife of meter 185 Pound that the poet whose legacy he was trying to desperately to unseat had, with The Tes ...
186 chapter 6 machine-like verses. But Pound’s retelling of literary history shows how little he knew of the Anglo-Saxonist move ...
the before- and afterlife of meter 187 dent in the poems of Robert Frost, Mina Loy, H.D., William Carlos Williams, and even, per ...
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