The New Yorker - USA (2019-09-16)
THENEWYORKER,SEPTEMBER16, 2019 59 obscured by fog. (The publisher has em- phasized that “The Testaments” is “not connected” t ...
60 THENEWYORKER,SEPTEMBER16, 2019 emptied of its foot?” she’d once told her- self. She is a vortex of ambiguity, prag- matism ...
THENEWYORKER,SEPTEMBER16, 2019 61 The author’s stories can’t compete, in sheer horror, with the drama of his own life. BOOKS ...
62 THENEWYORKER,SEPTEMBER16, 2019 hospitable environment of New Or leans. He continued writing, in more respectable veins (e ...
“Make sure you show my work.” to overcome it. A mother dies during a cholera epidemic, yet her love for her infant son is so pow ...
loving husband toward Setsu (and a dot- ing father to their four children), Hearn’s personal relationships were, for the most pa ...
THENEWYORKER,SEPTEMBER16, 2019 65 BRIEFLY NOTED Five Days Gone, by Laura Cumming (Scribner). In the fall of 1929, the author’ ...
66 THENEWYORKER,SEPTEMBER16, 2019 MUSICAL EVENTS SAFE SPACE Kirill Petrenko makes a conservative début at the Berlin Philharm ...
THE NEWYORKER, SEPTEMBER 16, 2019 67 adoxically or not, his supremely con- fident control. His performances have struck me a ...
68 THENEWYORKER,SEPTEMBER16, 2019 The director Jamie Lloyd strips bare Pinter’s love-triangle-told-backward. THETHEATRE HERE ...
THENEWYORKER,SEPTEMBER16, 2019 69 Emma: she’s just another diamond in the rough, a recruitable talent. Lloyd has directed Pin ...
Each week, we provide a cartoon in need of a caption. You, the reader, submit a caption, we choose three finalists, and you vote ...
SHOCK ABSORPTION SYSTEM PATENTED VERSOSHOCK ̈ SOLE *Results of a double-blind study conducted by Olive View UCLA Medical Center. ...
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