Consciousness
seCtIon tWo: tHe BRAIn conscious experience arise?’ And this he puts into his category of ‘Problems we may never solve’. If we ...
conscious experience arise?’ And this he puts into his category of ‘Problems we may never solve’. If we are to have any chance o ...
seCtIon tWo: tHe BRAIn Aru, J., Bachmann, T., Singer, W., and Mel- loni, L. (2012). Distilling the neural correlates of con- s ...
CHAPTER ‘The mind is a kind of theatre, where several perceptions successively make their appearance; pass, repass, glide away a ...
seCtIon tWo: tHe BRAIn INSIDE THE MENTAL THEATRE What does it feel like being you now? Take a minute to find out. Although eve ...
Chapter Five The theatre It is the view that there is a crucial finish line or boundary somewhere in the brain, marking a place ...
seCtIon tWo: tHe BRAIn and that things must be either in or out of consciousness – i.e. on the stage or screen of the metaphor ...
Chapter Five The theatre We can easily trace the kinds of neural processing that must have taken place. Reading the instructions ...
seCtIon tWo: tHe BRAIn multiple parallel streams of processing, and no magic moment at which input turns into output or conscio ...
Chapter Five The theatre Decades later, this great ‘mental imagery debate’ contin- ues (Pylyshyn, 2003; Kosslyn, Thompson and Ga ...
seCtIon tWo: tHe BRAIn not necessarily aware of carrying out those rotations. Although imagery is often thought of as quintesse ...
Chapter Five The theatre with consciousness. Crick and Koch hedge their bets by referring to ‘[t]he (unconscious?) homunculus’. ...
seCtIon tWo: tHe BRAIn In other words, what makes some events conscious and others unconscious; some in consciousness and some ...
Chapter Five The theatre imagery and try to answer the question another way. Others are more radical and even throw out the idea ...
seCtIon tWo: tHe BRAIn (Baddeley, 2000). The interactions between these three are based on the idea of a global workspace arch ...
Chapter Five The theatre multiple decentralised networks (2005a, pp. 47–48), but in GWT consciousness is required to integrate a ...
seCtIon tWo: tHe BRAIn are in consciousness, while others are not – the assumption which is, according to Dennett, at the hear ...
Chapter Five The theatre further effect, ‘igniting the glow of conscious qualia, gaining entrance to the Car- tesian Theater, or ...
seCtIon tWo: tHe BRAIn is’ (in Blackmore, 2005, p. 54). Similarly with sound and heat. Even though it seems difficult for us no ...
Chapter Five The theatre in vision) or body map (as in somatosensation), and the construction of an illusion of ‘unity’ in consc ...
«
2
3
4
5
6
7
8
9
10
11
»
Free download pdf