Limelight — May 2017

is strong enough to counterbalance the commercialisationofculturalvalues,and it’s our educational system. Yet here we sit, inthe ...

42 LIMELIGHT MAY 2017 http://www.limelightmagazine.com.au OHAMLET ComposersfromBerlioztoVerdi haveshiedawayfromHamlet,but notBre ...

TO DREAM ...

“Look, what isHamlet?”Jocelyn said to Dean.“There are three versions published in his lifetime or shortly thereafter, one of whi ...

violas in typical Berlin Philharmonic style opposite the first violins we had a good view of the stage as well. That made the ex ...

cycleSongs of Joy, so too he’s tried out ideas withHamlet, but if anything even more so. His Second String Quartet, subtitled‘An ...

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48 LIMELIGHT MAY 2017 http://www.limelightmagazine.com.au O 1984 Theyear1984mighthavecome andgonewithfewilleffects,but, saysJaso ...

http://www.limelightmagazine.com.au MAY 2017LIMELIGHT 49 1984 O recalls.“WhenweopenedourWestEndrunofthe play,justyardsawayfromth ...

wanted to rehabilitate Orwell’s masterpiece by attempting to stage the formal gesture of it instead of justboilingitdowntoasimpl ...

Since it was first published in 1949, George Orwell’s iconic 1984 has inspired leading radio producers, theatremakers, musicians ...

2 ...

http://www.limelightmagazine.com.au MAY 2017LIMELIGHT 53 TURANGALÎLAO Olivier Messiaen’s monumentalTurangalîla-Symphoniewas a pi ...

observer and not stirring. In the same way three rhythmic groups are in action: the first augments (this is the attacking charac ...

dies. Distraught, the narrator sits up in the night with her corpse, and to his horror, the body gradually starts to come back t ...

of these keyed percussion instruments like the xylophone, which form the pitched percussion sound grouping within the orchestra, ...

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You’vejustrecordedadiscofWeimar-era musicwiththeNexasQuartet,andit’s settobecomeacabaretshowaswell. Howdidallthatcomeabout? Toby ...

inGermany,andhiswifewasofcourse areallyfantasticperformer.Actually,he becameaverybigplayeringettingthe Americansinvolvedinthewar ...

T oday we bandy ‘Baroque’ about as alabelofconvenienceforthemusic ofthe17thandearly18thcenturies without much thought to the wor ...