Reflections of an American Harpsichordist Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick
114 ❧ chapter eleven The touch of these instruments is as light as that of a clavichord and consid- erably less reliable. The to ...
the early piano ❧ 115 craftsmanship, but new problems and new solutions obtruded themselves con- stantly. I have the impression ...
116 ❧ chapter eleven Here is part of my recording of the Mozart C-major Fantasy (K. 394). The instrument, as in my other example ...
the early piano ❧ 117 what their instrument contains beyond the narrow confi nes of its keyboard, and an imaginative and discrim ...
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Part Four Lectures (Yale University, 1969–71) Kirkpatrick.indd 119Kirkpatrick.indd 119 2/8/2017 9:58:07 AM 2 / 8 / 2017 9 : 58 : ...
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Chapter Twelve Bach and Keyboard Instruments Once again, the title of today’s lecture is slightly misleading. It speaks of key- ...
122 ❧ chapter twelve of other instruments since, are entirely different. It is a very interesting check- point to see how much I ...
bach and keyboard instruments ❧ 123 than of some other more idiomatic composers, is itself a transcription, because the work was ...
124 ❧ chapter twelve of art accessible as much as possible to the listener or the beholder. And the work involved in doing this ...
bach and keyboard instruments ❧ 125 nineteenth and twentieth centuries, and have been restored into a condition for which they w ...
126 ❧ chapter twelve modern harpsichord. I wonder if as many ridiculous things could have been perpetrated had the revival of th ...
bach and keyboard instruments ❧ 127 in carrying power. To a certain extent it did. Whether what carried was what one wanted to h ...
128 ❧ chapter twelve [Music and comments] I have been very much infl uenced by the legend of the clavichord, and it was one of t ...
bach and keyboard instruments ❧ 129 university in which it is possible to play a live clavichord for fi fty people without ampli ...
Chapter Thirteen In Search of Scarlatti’s Harpsichord The search for Scarlatti’s harpsichord is hardly separable from the search ...
in search of scarlatti’s harpsichord ❧ 131 thought I would like to learn. And like all beginnings of Scarlatti, I picked out the ...
132 ❧ chapter thirteen the keyboard instruments owned by Queen Maria Barbara of Spain, for whom the Scarlatti sonatas were writt ...
in search of scarlatti’s harpsichord ❧ 133 both in this country and abroad, so that all of the normal procedures had to be avoid ...
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