The Guitar Magazine – July 2019

fourth (D) string on the “a 4 + a”. In bar 5, we play the IV chord shuffle over the D chord as normal. In the sixth bar, we star ...

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Johnny Marr’s approach to arpeggios involves the use of open-string chords and picking patterns with inventive rhythms © (^) Ge ...

J ohnny Marr’s playing can be sparse yet harmonically complex, and seemingly simple but rhythmically inventive. This is often ac ...

G^6 GGDE XXO O 1156 C CGCE XXOO 1 5 13 1 FIGURE 3 CADD9 XXOO CGDE 34 3 1 593 CMAJ7 CGB XXOOX 157 G^7 /F FGB XXOOX ♭ 713 C/F XXO ...

74,)6,>16<)/- /=1<):;-9=185-6< *7=/0<;74,)6,<:),-, 1.+)8<=:-, 84-);-,-41>-:<7" 74,0)& ...

Figure 4 is a two-chord sequence; play the notes of the C chord one at a time, low to high, followed by the notes of the G major ...

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The moment it all started... “My relative owned a classical guitar, and he showed me simple arpeggios and stuff like that. I was ...

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