86 Artists Magazine December 2019
Left: Young Woman With a Carnation (detail), by Willem Drost, student of
Rembrandt van Rijn; right: demonstration copy of painting by Kristy Gordon
Left: Lady Agnew of Lochnaw (detail), by John Singer Sargent;
right: demonstration copy of painting by Kristy Gordon
Elisha Mocked by Boys (detail)
attributed to Roeloff van Zijl
ca1625–30, oil on canvas
RIJKSMUSEUM, AMSTERDAM
COURTESY THAMES & HUDSON
Gesture Tells All
Without a word, every fi gure
makes a statement through stance,
facial expression and the position-
ingof head, hands and limbs. In
Postures: Body Language in Art
(Thames & Hudson), artist and
anthropologist Desmond Morris
examines the signifi cance of these
silent signals in artwork from
prehistory to contemporary times.
Insight into these social clues
presents a new perspective—even
onwell-known works.
MASTER LESSONS
Want to paint portraits like Rembrandt or John Singer Sargent? Accomplished artist
and workshop instructor Kristy Gordon gives insight into what makes each of these
master’s signature styles stand out. Then she guides you through demonstrations,
copying master works, so you can learn their techniques by the time-honored
method of imitation. Both of these lessons, Portrait Painting: Rembrandt’s
Techniques and Portrait Painting: John Singer Sargent’s Techniques, are
available as streaming video at Artists Network TV (artistsnetwork.com/tv).
Independent
Study
Resources to
inspire + build skills
BY HOLLY DAVIS