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Zimmermann 020 7952 2710< 283 LORRAINE PASCALE
“The tills were so glamorous,” she recalls. “It’s a power thing –
you’re in charge. Remember when they used to count back your
change? ‘That’s 30, 40, 50, 60...’ I still want to do that!” she
laughs. Yet she just couldn’t muster the will to spend another
few years sorting onions. This realisation hit her one afternoon
while sitting in the cafeteria on her lunchbreak. “I just thought,
I’m not sure this is for me.” She quit three weeks into the job.
Next in her sights was Marks & Spencer, after hearing from
a friend that the perks of a job included in-store discounts
(which particularly appealed, because it’s where she always
bought her tights). She applied for a job there – twice – and was
twice rejected. But, sensibly, she saved her Waitrose earnings,
which amounted to £100 per week, not for any other reason
than the fact that she would get her “head knocked off ” if she
didn’t. “My mum always said, ‘Don’t go frittering it away!’” After
attending The Clothes Show Live and noting down a list of
reputable modelling agencies, Pascale used the Waitrose money
to buy a bus ticket to London, and visited every agency on the
list. The very last one signed her up on the spot. Can she walk
into a Waitrose now without thinking back to her teenage self?
“I buy everything on Ocado now,” she smiles. Sarah Harris< 280 SAMUEL ROSS
his teenage years but incorporating elevated materials and
sophisticated techniques, he is challenging the notion of
hoodies as the scourge of the nation while explicitly
encouraging others to follow in his footsteps.
“A lot of the kids who worked at A-Cold-Wall at the
beginning were from places like Dagenham, Leytonstone,” he
reflects. “It was about putting people from different backgrounds
into a fashion context: taking them to Paris, having them run a
showroom. Empowering them.” At 28 years old – only 12 years
since he was first splattered with oil from the deep-fat fryer for
£4.80 an hour – he is determined to change things for the next
generation. “I started from hardship, but I’m not in that place
any more and I don’t wish that to be celebrated,” he said
backstage after his most recent fashion show. “I want to focus
on a more positive, altruistic future.” His trajectory proves that
anything is possible – and it seems it’s only the beginning. OS< 278 VIVIENNE WESTWOOD
So, for two years, she spent her days here, dressed in clothes
of her own design, the hemlines of which would occasionally
get her into trouble. “I made myself a lovely little dress out
of flowery furnishing fabric, with a little bit of a Chanel look,
but when I washed it, it shrank,” she recalls. “I remember a
supervisor came round and the first thing she said was, ‘Your
petticoat is showing.’ I wasn’t an authoritarian, and I was always
a bit worried because I didn’t feel I exerted real discipline with
the children. But you didn’t really need it, because they were
good.” Aged 22, she became pregnant with her first child and
left Harlesden – but, 50 years later, her desire to impart
knowledge to the next generation is yet to wane. “What I’m
trying to do now is spread the importance of being an
intellectual. What is an intellectual? Someone who reads books
and who wants to make the world a better place.” Olivia Singer< 282 MANOLO BLAHNIK
a post-lunch stroll; Paloma Picasso in her jewels; Grace
Coddington clouded by a mane of auburn hair. Even the
notoriously camera-shy Katharine Hepburn let him photograph
her. As ever, it was down to coincidence: by this time, Blahnik
had set up his shoe boutique in Chelsea, and Hepburn briefly
rented the house next door. She was so charmed by his
enthusiasm, and his shoes, that she let him snap away.
“We didn’t have these things,” he says, gesturing towards an
iPhone, “which was much better. It’s too easy now. Boom-
boom-boom, photographing this and that.” He reminisces about
a visit to a Holborn printing studio – “There were real bromide
prints. They used to be great, the colour, the thickness!”
It was when he met Diana Vreeland in the early ’70s that he
entered the world of shoemaking, eventually becoming the
kingpin of spectacular footwear. Still, he looks back at his Nikon
toting with fondness. “I had a wonderful time,” he smiles. “I was
completely irresponsible, I made about £2, but I was going out
with all those beautiful girls and it captured a moment.” OACHIEF EXECUTIVE OFFICER
Roger LynchIN THE USA
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Italiana
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DIRECTORS
Jonathan NewhouseVogue, ISSN 463390, is published
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acting as our mailing agent.09-19-Stockists.indd 328 05/07/2019 10:58