Airfix Model World – September 2019

(Romina) #1

ADVANCED BUILD
MC202 FOLGORE


ADVANCED BUILD
MC202 FOLGORE

http://www.airfi xmodelworld.com 19

KIT OPTIONS
Eduard included a selection of the many imaginative unit emblems and wartime
camouflage patterns utilised by the Regia Aeronautica, the majority of which
represented aircraft that had served in either North Africa or the Mediterranean
theatres. The single exception (and the scheme chosen on this occasion), was a
machine from 386a Squadriglia, 21o Gruppo, which was used in Russia – its aircraft
retained the original Mediterranean camouflage. Like those of its Axis allies, Italian
aircraft operating over the Eastern Front wore yellow-painted fuselage, nose and
wing-tip identification panels, and it was this incongruous colour combination that
appealed. The options were:


  • MM9066, 2-151, Ennio Tarantola, 151a Squadriglia, 51o Stormo, Gela, Italy,
    September 1942

  • 2-70, 70a Squadriglia, 3o Stormo, Cerveteri, Italy, August 1943

  • MM8122, 1-386, 386aSquadriglia, 21o Gruppo Autonomo, Kantemirowka, Russia,
    October 1942

  • MM7711, 4-378, 378a Squadriglia, 155o Gruppo, 51o Stormo, Gela, Italy, 1942

  • 10, 24o Gruppo Autonomo, Olbia-Venafiorita, Italy, June 1943

  • MM7860, 2-71, 71aSquadriglia, 17o Gruppo, 1o Stormo, Udine-Campoformido,
    Italy, 1941


pipes, framework and wiring.
It comprised just ten resin
components plus a modest number
of PE parts, and was simple to
assemble, although much time
and care was needed to remove
these delicate items from their
substantial casting blocks. That
said, effort spent in preparation
and in careful study of the
instructions was rewarded by an
incredibly realistic sub-assembly
upon completion.
The assembled resin bay slotted
into place without needing any
modification to the styrene and
was secured within the airframe

prior to painting. This
made the post-build
brush-work more difficult,
although it lessened the
risk of losing any of the
miniscule pipes as would
doubtless have occurred
had they been painted
individually. Other than
those already detailed, the
only alteration considered
necessary to the wings at
this stage was to remove the
simplistic engraved
wing-tip
navigation
lights and

replace them with clear
lenses, fashioned from CA.

Office furniture
The kit’s cockpit was
deemed adequate
straight from the box,
and in this limited-edition
offering benefited from
approximately 50 PE
enhancements. These weren’t
used on this project though,
as there was a superior
alterative, in
the form of
Hungarian
resin-
specialist
SBS Models’
(www.sbsmodels.
com) Macchi C 202 Folgore
Cockpit set for Hasegawa Kit
(48017), which comprised just 11
delicately cast components. A PE
fret supplied such items as the
head armour, harness and lever
details, while an acetate sheet
featured printed dial bezels. Being
a direct replacement for the kit
interior, no modifications were
necessary, though the fragile

components needed careful
handling during assembly. With
the resin side walls fixed to the
fuselage halves, the partially
assembled ‘office’ was primed
with Alclad’s ALC-302 Grey Primer
and Microfiller (www.alclad2.com),
over which was sprayed a coat of
ALC-105 Polished Aluminium. Once
dry, this was followed by a layer
of airbrushed darkened ACRA
Verde Mimetico 53198, from the
Colourcoats range of authentic

aircraft operating over the Eastern Front wore yellow-painted fuselage, nose and
wing-tip identification panels, and it was this incongruous colour combination that
appealed. The options were:


  • MM9066, 2-151, Ennio Tarantola, 151
    September 1942

  • 2-70, 70

  • MM8122, 1-386, 386
    October 1942

  • MM7711, 4-378, 378

  • 10, 24

  • MM7860, 2-71, 71
    Italy, 1941


ADVANCED BUILD
MC202 FOLGORE

KIT OPTIONS
Eduard included a selection of the many imaginative unit emblems and wartime
camouflage patterns utilised by the Regia Aeronautica, the majority of which
represented aircraft that had served in either North Africa or the Mediterranean
theatres. The single exception (and the scheme chosen on this occasion), was a
machine from 386a Squadriglia, 21o Gruppo, which was used in Russia – its aircraft
retained the original Mediterranean camouflage. Like those of its Axis allies, Italian
aircraft operating over the Eastern Front wore yellow-painted fuselage, nose and

pipes, framework and wiring.
It comprised just ten resin
components plus a modest number
of PE parts, and was simple to
assemble, although much time
and care was needed to remove
these delicate items from their
substantial casting blocks. That
said, effort spent in preparation
and in careful study of the
instructions was rewarded by an
incredibly realistic sub-assembly
upon completion.
The assembled resin bay slotted
into place without needing any
modification to the styrene and
was secured within the airframe

prior to painting. This
made the post-build
brush-work more difficult,
although it lessened the
risk of losing any of the
miniscule pipes as would
doubtless have occurred
had they been painted
individually. Other than
those already detailed, the
only alteration considered
necessary to the wings at
this stage was to remove the
simplistic engraved
wing-tip
navigation
lights and

replace them with clear
lenses, fashioned from CA.

Office furniture
The kit’s cockpit was
deemed adequate
straight from the box,
and in this limited-edition
offering benefited from
approximately 50 PE
enhancements. These weren’t
used on this project though,
as there was a superior
alterative, in
the form of
Hungarian
resin-
specialist
SBS Models’
(www.sbsmodels.
com) Macchi C 202 Folgore
Cockpit set for Hasegawa Kit
(48017), which comprised just 11
delicately cast components. A PE
fret supplied such items as the
head armour, harness and lever
details, while an acetate sheet

components needed careful
handling during assembly. With
the resin side walls fixed to the
fuselage halves, the partially
assembled ‘office’ was primed
with Alclad’s ALC-302 Grey Primer
and Microfiller (www.alclad2.com),
over which was sprayed a coat of
ALC-105 Polished Aluminium. Once

retained the original Mediterranean camouflage. Like those of its Axis allies, Italian
aircraft operating over the Eastern Front wore yellow-painted fuselage, nose and

 The aftermarket resin seat was
noteworthy and featured a convincing
integrally cast harness and back cushion,
which benefited from careful painting.

 Detail on the resin parts was impressive, and time spent painting it was well rewarded;
weathering/chipping effects were created with a dental probe and white spirit-laden brush,
to reveal the underlying metallic hue.

“DETAIL ON THE


RESIN PARTS WAS


IMPRESSIVE”

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