subscribe 0330 333 1113I http://www.amateurphotographer.co.ukI 14 December 2019 17
UseautoISO
Whenyouhaveyourapertureandshutter
speedsetperfectly,themostfrustratingthing
canhappen– thelightchanges.Insteadof
ruiningyoursettings(andthereforehowsharp
yoursubjectis)turnonautoISOandletthe
cameraadjustexposureforyou.In this case,
‘Auto’ is a good option to go for.
Focusfromtheback
Back-buttonfocusis anotherusefulsetting
(certainfunctionbuttonsandAE/AF-Lbuttons
canbeprogrammedtodothisif necessary).
Ensurereleasepriorityis turnedon,ratherthan
focuspriority,asthiswillletyoutakea photo
whenyouwant,ratherthanwhenthecamera
decides a subject is in focus or not.Continuouslyfocus
Insteadof re-pressingtheautofocusbuttonas
a subjectmoves,engagecontinuousautofocus
mode.It willautomaticallyadjustfocusforas
longastheAFbuttonis pressedovertheAF
point.Somemodessuchasfacerecognition
areabletotracksubjectsautomatically as they
move through the frame.STAY SHARP TechniqueACLOSE-UPonthispianist’s
fingersalmostneverwas.This
wastakenin a darkcornerof
a dimlylit recordingstudioand
assuchtheapertureneededto
bewideopenat f/1.4,witha
highISOof 12,800,tokeepthe
shutterfastenoughtonotblur
themotionof thehands.The
lackof lightmadetheautofocus
misstheintendedsubject
entirelyfirsttimeround,soI
switchedtofocusmanuallyon
thehandclosesttothecamera.
Fortunately,theshallowdepthof
fieldworksonthisshottobring
the eye to the pianist’s fi ngers.AFTERBEFOREoffieldsknowntoanyphotographic
discipline.A differenceofmillimetrescan
seesubjectsthrownwildlyoutoffocus.So
it followsthatfocusbracketingis useful
notonlyforlandscapes,butalsomacro
subjects.Again,youcouldusethe
in-camerafocus-bracketingfeatureto
createa compositestackofsharpshots.
If yourcameradoesn’thavethisfeature,
thena macrorailcouldbeusedinorderto
physicallymovethecameraincrementally
closertothesubject.
However,thesetwomethodswillonly
workoninanimatesubjects.Shootinglive
subjectswithfocusbracketingcanonlybe
carriedouthandheld.It’smoredifficult,
butthereis a trick.Switchtomanualfocus
andadjustthefocusringtoitsminimum
focusingdistance.Next,engagecontinuous
burstmodeandrockbackandforthfrom
yoursubjectasyoutakemultipleshots.
Themoreyoupractise,theeasierit
becomes,andit makesallthedifferenceto
bugshots.Twoorthreeshotsinserieslike
thisshouldbeachievablewithonlyan
hourofpractice,butmypersonalrecordis
aboutseven shots in sequence handheld.
Action
Fast-pacedaction,whetherwildlife
orsports,placesgreatrelianceupon
autofocustrackingandfastshutterspeeds.
Thefirstportofcallwhenadjustingthe
autofocusparametersis toswitchto
single-pointautofocusmode.Thismay
soundcounterintuitive,becauseit gives
youthesmallestareafromwhichtodefine
focus,andwhenyoursubjectis movingat
speedsurelyyou’dwantthatAFpointto
beaslargeaspossible?Butinpractice,the
biggerAFpointzone(suchasgroupmode)
makesthecamerasecond-guesswhereyou
reallywantyourfocus– it givesit too
muchinformation,andoftenendsin
erroneous focus. Single-point AF is
Be shallow Diff erential focus