Section:GDN 12 PaGe:7 Edition Date:190731 Edition:01 Zone: Sent at 30/7/2019 18:08 cYanmaGentaYellowbla
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PHOTOGRAPHS: GETTY/ISTOCKPHOTO
This is the outfi t I wore for my fi rst Mac campaign
in 2017 – it was fully rhinestone, head to toe. It was
a memorable look for me because I bought all the
material, all the stones and all the accessories for
it and had it made by a drag queen. It weighed 60lb
(27kg) – so it was like having another little person on
me; extremely heavy, but just so beautiful.
Having previously worked on a Mac counter,
I never in my wildest dreams thought I would be in
a campaign. I wanted to wear the most divalicious
outfi t I could so that I stood out. Because I’m plus
size, I prefer to design my own outfi ts and collaborate
with designers. When I started losing my hair, I began
wearing head-wraps and then
turbans, which I like to have match
the rest of my look. I also work
with my hair stylist to craft the
turbans – it’s beautiful when it all
comes together. I fi nd inspiration
on Pinterest, watch fashion shows
on YouTube and then I put my own
twist on it that will fl atter my body.
I don’t always wear bespoke items: I love Asos,
I love Forever 21, I love River Island – but it’s often
really hard for me to fi nd clothes that fi t. My shoes are
from Maya Shoes of Hollywood, which stocks shoes
for drag queens and actors ... Lady Gaga buys her
shoes there, too. It’s my secret weapon.
It’s not out of vanity that I wear these outfi ts – it’s
important for me to represent a community. I had an
actor approach me with his daughter, who was about
four years old, on the red carpet recently. She was
just like: “Wow, I like your dress!” I thought it was
cool that someone so young could admire a 29-year-
old, plus-size Filipino in a dress at a Disney premiere.
I use fashion to break down gender stereotypes
because I still identify as male. It was hard for me –
I used to always wear trousers and I worried about
breaking away from that from a branding standpoint.
But then I just thought: why not just wear what I want
and be the glamazon that I want to be?
As told to Leah Harper
The look I love
Patrick Starrr ‘It’s not out of
vanity that I wear these outfi ts –
I represent a community’
I use fashion
to break
down gender
stereotypes
Very bad things
can happen
on your period.
I don’t think
any of us should
discount any
other woman’s
experiences
with “urban skin” in mind. There
has also been a rise in so-called
“ menopause skincare ”.
The a dvertising consultant Cindy
Gallop is delighted that period
skincare now exists. She believes it
to be an indication that “there are
people out there taking women and
women’s needs seriously, especially
related to something that the
world at large – that is, men – are so
squeamish about: periods.”
With women’s skincare such a
lucrative market, some cynicism is
only sensible. Yet Gallop believes
we should pay attention to women’s
self-identifi ed needs. While she, at
59, is completely period-free
- “Hallelujah!” – she accepts that
there are “women out there with
very bad things that happen only
on your period, to your skin, to
your mood. So I don’t think any of
us should discount any other
woman’s experience.”
Of course,
sorting what we need from what
we think we need will never be
easy, especially when marketing
has become so sophisticated that
some companies are mining data
from period trackers in an attempt
to target consumers based on what
stage of their cycle they are at.
Period skincare can be seen as
part of the £500bn-plus “wellness
industry”. To its critics, this
is something for the already
“disproportionately well” , or a
way to wring more money out of
women’s insecurities. For Gallop, it
is a logical outcome of a world where
mainstream health doesn’t take
women seriously.
“Women cannot fi nd focus,
empathy and relevance within the
mainstream medical and health
system,” she says. “When you have
off shoots of health and beauty that
are female-driven, female-founded,
no wonder women fl ock to them.”
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