Chapter 6 Notre Dame de Paris
Falck, Robert. The Notre Dame Conductus: A Study of the Repertory. Henryville, Pa.: Institute of
Medieval Music, 1981.
Johannes de Garlandia, Concerning Measured Music, trans. Stanley H. Birnbaum. Colorado Springs:
Colorado College Music Press, 1979.
Wright, Craig. Music and Ceremony at Notre Dame of Paris, 500–1500. Cambridge: Cambridge
University Press, 1990.
Yudkin, Jeremy. The Music Treatise of Anonymous I: A New Translation. Rome: American Institute of
Musicology, 1985.
Chapter 7 Music for an Intellectual and Political Elite
Boorman, Stanley, ed. Studies in the Performance of Late Mediaeval Music. Cambridge: Cambridge
University Press, 1984.
Chapter 8 Business Math, Politics, and Paradise: The Ars Nova
Berger, Karol. Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto of
Padova to Gioseffo Zarlino. Cambridge: Cambridge University Press, 1987.
Ellsworth, Oliver B. The Berkeley Manuscript: A New Critical Text and Translation. Lincoln:
University of Nebraska Press, 1984.
Chapter 9 Machaut and His Progeny
Apel, Willi. French Secular Music of the Late Fourteenth Century. Cambridge, Mass.: Mediaeval
Academy of America, 1950.
Leech-Wilkinson, Daniel. Machaut’s Mass: An Introduction. Oxford: Oxford University Press, 1990.
Reaney, Gilbert. Guillaume de Machaut. London: Oxford University Press, 1971.
Tomasello, Andrew. Music and Ritual at Papal Avignon, 1309–1403. Ann Arbor, Mich.: UMI Research
Press, 1983.
Wilkins, Nigel. Music in the Age of Chaucer. Cambridge: Brewer, 1979.
Chapter 10 “A Pleasant Place”: Music of the Trecento
Pirrotta, Nino. Music and Culture in Italy from the Middle Ages to the Baroque. Cambridge: Harvard
University Press, 1984.
Chapter 11 Island and Mainland
Bent, Margaret. Dunstaple. London: Oxford University Press, 1981.
