Fallows, David. Dufay. London: J. M. Dent, 1982.
Kaye, Philip. The Sacred Music of Gilles Binchois. London: Oxford University Press, 1992.
Kemp, Walter H. Burgundian Court Song in the Time of Binchois: The Anonymous Chansons of El
Escorial, MS V.III.24. Oxford: Clarendon Press, 1990.
Kenney, Sylvia. Walter Frye and the Contenance Angloise. New Haven: Yale University Press, 1964.
Kirkman, Andrew, and Dennis Slavin. Binchois Studies. New York: Oxford University Press, 2001.
Lefferts, Peter. The Motet in England in the Fourteenth Century. Ann Arbor, Mich.: UMI Research
Press, 1986.
Rankin, Susan, and David Hiley. Music in the Medieval English Liturgy: Plainsong & Medieval Music
Society Centennial Essays. Oxford: Clarendon Press, 1993.
Chapter 12 Emblems and Dynasties
Aaron, Pietro. Toscanello in musica, trans. Peter Bergquist. Colorado Springs: Colorado College Music
Press, 1970.
Atlas, Allan. Music at the Aragonese Court of Naples. Cambridge: Cambridge University Press, 1985.
Cohen, Judith. The Six Anonymous L’homme armé Masses in Naples, Biblioteca Nazionale, MS VI E
40 . Stuttgart: American Institute of Musicology, 1981.
D’Accone, Frank A. The Civic Muse: Music and Musicians in Siena during the Middle Ages and the
Renaissance. Chicago: University of Chicago Press, 1997.
Hamm, Charles. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural
Practice. Princeton: Princeton University Press, 1964.
Higgins, Paula, ed. Antoine Busnoys: Methods, Meaning, and Context in Late Medieval Music. Oxford:
Clarendon Press, 1997.
Lockwood, Lewis. Music in Renaissance Ferrara, 1400–1505. Cambridge: Harvard University Press,
1985.
Reynolds, Christopher. Papal Patronage and the Music of St. Peter’s, 1380–1513. Berkeley and Los
Angeles: University of California Press, 1995.
Sparks, Edgar H. Cantus Firmus in Mass and Motet, 1420–1520. Berkeley and Los Angeles: University
of California Press, 1963.
Strohm, Reinhard. Music in Late Medieval Bruges. Rev. ed., Oxford: Clarendon Press, 1990.
Tinctoris, Johannes. The Art of Counterpoint, trans. and ed. Albert Seay. Rome: American Institute of
Musicology, 1961.
Wegman, Rob. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press,
1994.
Wright, Craig. The Maze and the Warrior: Symbols in Architecture, Theology, and Music. Cambridge:
Harvard University Press, 2004.
———. Music at the Court of Burgundy, 1364–1419. Henryville, Pa.: Institute of Medieval Music,
1979.
