definition of 587
dissonance and 168
Garlandia’s division of 196
Jacopo treatise on 354
modal rhythm and 179 , 187 , 245
motet as texted 209 , 210 , 221 , 229 –32, 229 , 259
Notre Dame settings and 171 , 179 , 180
Song of Songs antiphons and 429 –33
three-part 165 –67, 168
trecento style 356 –59
two-part 256
discanter, 436
discantus. See discant
disciplinati. See flagellants
discordia concors, 148
definition of, 261
motet and, 226 , 229 , 236 , 255 , 286 , 424
disjunct tetrachords, 151
dismissal, 54 , 311 , 318 , 321 , 323 –24, 326
dissonance,
cadence and, 276 , 305 , 470
culture-bound criteria of, 153
discant harmony and, 168
Dunstable refinements of, 427 , 429 –32, 433
as English descant feature, 406 –9, 417 , 423
in final chord, 470
Garlandia’s tripartite division of, 196
harmonic balancing of, 153
monody and, 818
Monteverdi and, 734 –35
Peri and, 829 , 830
polyphonic closure and, 168
sixteenth-century rationalization/codification of, 588 –89
stile antico and, 669
Tapissier motet and, 429
Willaert and, 603
dits (lengthy allegorical poems), 290