Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Divine Comedy (Dante), 286 –87, 383 , 803
divine harmony. See cosmic harmony
divine inspiration,
Josquin’s status and, 548 , 552 , 553
Musica and, 69 , 70
representations of, 6 , 6
divine presence, 772
divine service. See liturgical music
divine tuning, 255
divisiones via naturae, 355
division points. See measure,
do (scale-singing syllable), 101
“Do-” clausulae, 180 –83, 186 , 198 , 228
Dobson, Austin, 122
Docta sanctorum (papal bull;, 1323), 311
Doctorum principem super ethera/Melodia suavissima cantemus (Ciconia), 278 –80, 284 –85, 424
Doctrinale (Villedieu), 197
Dodekachordon (Glareanus), 553 –54
domestic entertainment,
canzona and, 787
music book use for, 694 –96, 698 , 699 , 709 , 787
dominant seventh, 470
dominant-tonic progression, 409 , 447 , 469 , 470 –71
“Dona nobis pacem,”, 661 , 662 –63
Donna l’altrui mirar (Gherardello), 371 , 372 –73
Dorian chant, 89
Dorian melody, 99 , 136 , 137
Ave maris stella, 83
Salve, Regina, 270 –71
Dorian mode, 79 , 86 , 312 , 479 , 509 , 597 , 681 , 802
chromaticism and, 274 , 275
minor and, 554
Dorian pentachord, 276 –77
Dorian scale, 75 –76, 274
D’Orlando di Lassus il primo libro dovesi contengono madrigali, vilanesche, canzoni francesi e
motetti a quattro voci (collection), 714


double  cursus,  44 ,    325 ,   424 ,   427
“Double Diaspason,”, 150
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