Music from the Earliest Notations to the Sixteenth Century

Elements (Euclid), 253

eleventh century, Winchester Tropers, 93 , 155 , 402

elite culture,

artistic    cleverness/subtlety and,     327 –37

fifteenth-century,   453

high    art and,     116 ,   226 ,   326 –27

motet   and,     226 –28,    236 ,   237 –38,    239

Tinctoris   generation  of,  454 –59

See also    high    art

Elizabeth I, Queen of England, 649 , 671 , 673 , 675 , 676 , 677 , 678 , 742

Triumphs    of  Oriana  madrigal    collection  to,  746

Elizabethan Settlement, 675

El mois de mai/De se debent bigami (motet), 234 –515, 236 , 239

emancipation, nineteenth-century, 143

Emancipation Act (1861; Russia), 143

embellishment. See ornamentation

emotional expression. See musical expression,

empiricism, 196 , 798

emulation,

fifteenth-century,   474 –75,    484 ,   486 ,   493 ,   497 –98,    499

by  Palestrina,  633 –41

England. See Great Britain; London

English Channel, 421

English language,

Anglican    chant   setting in,  672

Sumer   is  icumen  in/Lhude    sing    cuccu!,  387 –88

English style. See contenance angloise

Enguerrand de Marigny, 258

enharmonic genus, 32 –33

En mon cuer (Machaut), 296 –97, 298 , 299

En remirant (Philippus), 338 –39, 341 , 341

enueg (troubadour genre), 107

epic romances, 119 , 422

epic songs, 120 , 208

Epiphanium Domino (Balaam motet), 399 , 401

Epiphany, 12 , 399

Epistle reading, in Mass ordo, 61

Erasmus, Desiderius, 438 , 553 , 672