Music from the Earliest Notations to the Sixteenth Century

popular art vs.,     115 –16,    120 ,   226 ,   228 ,   326 –27

High Church style (England), 518 , 526 , 612 –14

High Renaissance music, 577 –84, 585 –628

high style,

cyclic  Mass    Ordinary    as,  461 –62,    465 ,   480 –81,    497

English antiphon    motet   and,     517 –18

Ockeghem’s  bergerette  and,     529

Tinctoris’s genre   ranking and,     459 –60,    486 ,   517

of  troubadour,  110 –13,    114 ,   131

“Hi ho, nobody home” (round), 331

Hildegard of Bingen, 90 –92, 91 , 93

Columba aspexit,     91 –92

Ordo    virtutum,    93

Hippolyte et Aricie (Rameau), 797

historicism,

anachronism and,     143 –44

art history and,     653

binarisms   and,     105 –6

conceptual  subdivisions    and,     380 –85

context in,  739 ,   741

dating  of  Josquin’s   Ave Maria...    and,     579 –81,    584

deterministic,   144

essentialism    and,     381 ,   382 ,   385

teleological,    144 ,   381 ,   383 ,   738 –39

historien. See oratorio,

historiography. See historicism; music historiography

Hobrecht, Jacobus. See Obrecht, Jacobus

hocket, 191 , 199 , 613

canon   and,     331 ,   332

English motet   and,     410

Gloria  pax and,     348

Mass    Ordinary    and,     311 ,   316 ,   317 ,   325 ,   326 ,   345

motet   and,     227 –28,    233 ,   262 ,   265 ,   266 ,   269 ,   271 ,   311

Hoepffner (biographer), 343

Hofweise (melody), 701 , 704 , 706 , 758 , 759 , 760

Holbein, Hans, the Younger, 671

holiday liturgical music. See church calendar

Holy Roman Empire, 286 , 289 , 421 , 704 , 772