Obrecht’s Caput Mass and, 483
Parisian chanson and, 708 –9
polyphonic indeterminacy and, 157 , 166
subtilior effects in, 339 –40
syncopation and, 266
troubadour verse-song performance and, 114 –15
See also modal rhythm
ricercari, 588 , 606 –7, 616 , 617 , 619 , 620 , 625 , 643 , 783 , 787
first use of term, 606
performance practice, 618 –19, 786
Ricercari di M. Jacques Buus, Organista in Santo Marco di Venetia da cantare, & sonare d’Organo &
altri Stromenti..., Libro Primo, a quatro voci (Buus), 608 –11, 617
Richard I (Lion-Heart), King of England, 110 , 117 –18, 117 , 345
Ja nun hons pris, 117 –18
Rifkin, Joshua, “motivicity,” 555
Rinuccini, Ottavio, 804 , 809 , 827
Dafne, La, 824 , 826
Euridice, 811 –12, 826
“Qual nova meraviglia!”, 827 –28
ritornello, 352 , 356 , 363 , 374 , 377 , 784 –86
Alleluia as, 784 –85
intermedii and, 804 , 806 –7
ritournelle. See ritornello,
Robert de Handlo, 394 , 784 –85
Robert de Sabilone, 174
Robertson, Anne Walters, 325
“Robin and Marion, a play with music” (Adam), 127 , 128 , 233 , 349
Robins m’aime (Adam), 127 , 233
rock bands, 17
rod shape, 214
Roland de Lassus. See Lasso, Orlando
Roman architecture, 797
Roman calendar, 12
Roman Catholic Church,
ars perfecta and, 629 , 630 , 644 –45, 646 , 652 , 667 , 684 , 713 , 771 , 775
Byrd’s compositions and, 670
calendar cycle of, 12 , 171 , 173 , 314 , 632 , 642 , 679
Carolingian Empire and, 2 –5