Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1
cathedral   community   and,     169 –70,    208 –8
Council of Constance and, 278 , 281 , 310 , 423 –24
Council of Trent and, 88 , 649 –50, 653
“Credo I” and, 34 –35
Crusades and, 96 , 107 , 108 , 117 , 135 , 141 , 345 , 484
Eastern schism with, 141
England’s break with, 670 –75, 673 , 686
English recusant members, 670 , 675 , 676 , 677 , 678 , 679 , 686 , 742
Great Schism and, 249 , 277 , 278 , 310 –14, 423 –24
hierarchy in, 9
intelligible liturgy movement in, 647 , 649 –53, 671 , 672 , 769
liturgical music style reform and, 645 –53, 672
loss of universality of, 630
Manicheism heresy and, 116
Mass ordo standardization and, 60 , 61 table, 460
monophony vs. polyphony and, 148
musical notation and, 1
Notre Dame composers and, 172
official chant book of, 23 , 87 , 177
Protestant Reformation and, 644 , 753 –54 See also Counter Reformation
Psalter and, 7 –8, 10 , 12 , 33
special occasion Masses of, 314 –21, 630
stile antico/stile moderno and, 667 , 669
two musical styles of, 667
venal abuses of, 753
See also cyclical Mass Ordinaries; liturgical music; Marian antiphons; Mass; monasteries; papacy

romances, 119


Roman chant, 1 –7


Roman de Fauvel (Gervais du Bus), 255 –60, 286


Romanesca tenor (ground bass), 626 , 821 , 823 , 823


Roman history, 798


Roman law, 354


Roman measurements, 252 –53


Romanticism,


art media   as  mutually    reinforcing and,     337
“authentic” performance and, 782
autonomous art and, 65
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