Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

a cappella, 666 –67, 780
accompanied, 131 –33, 296 , 298 –99, 352 , 363
chromatic adjustment and, 274
congregational, 27 –28, 47 , 58 , 758 , 765
crooning, 817
ear training, 75 , 99 –104
English qualities of, 452
etiquette books, 694 , 709
of familiar tunes, 598
fauxbourdon technique and, 435 –39
florid, 356
four-part voice nomenclature, 468
gorgia (throat-music), 816 –17, 816 , 821
gradual elaboration of, 163
Guidonian hand mnemonic device for, 102 –4
harmonizing, 168 , 392 , 394 , 406 , 434 –35, 452 , 472
imitative rounds, 331
jubilated, 11 , 24 , 26 , 38 –39
Mass ordo, 61
melismatic, 11 , 24
monodic style of, 817
new medieval tonal system and, 77 –78
Nuove musiche instructions in, 813
ornamental neumes and, 24
ornamentation and, 816 –17
partbooks for, 539 –60
polyphonic, 44 –47, 147 –68
printed music texts for, 550 –51
rhetorical embellishment and, 816 –17
scale intervals and, 100 –101
sight transposition and, 76
sweetness of, 452
trope rubrics for, 52
vocal expression and, 816 –17 See also aria; choral music; madrigal; opera; virtuosity; vocal music;
voice types;


singspiel,   127
si (scale-singing syllable), 101
Sistine Chapel, 459 , 460 , 486 , 496 , 498 , 555 , 632 , 634 , 649 , 652 , 666 , 667
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