A22 INDEX
concerts
band, 54–56, 116, 165–67
classical instrumental music,
119–21
eighteenth century, 55–58
electronic music, 392
oratorio, 118–19
orchestral, 183–85, 305–8
organ, 119
outdoor, 165, 184
popular song, 150–51
programming of, 57–58, 116, 122,
123, 167, 184, 306–8, 318,
388–89
recitals, 95, 286, 318
sacred music, 118–19
twentieth-century music, 322,
395, 446
types of, 55–57
concert spirituals, 228–30, 327–28
Concord Sonata (Ives). See Piano Sonata
No. 2
Condon, Eddie, 294, 384
conductors
band, 165–68, 170–72, 233,
249–50, 252, 257
jazz band, 298–303, 376–79
orchestral, 122, 183–85, 234, 306–8
Congo Minstrels, 135
Congo Square (New Orleans, Louisiana)
depicted in Gottschalk’s music, 125
early black musical life in,
98–100, 123
instruments played in, 99
Congregationalism, 39, 80
congregational singing, 25–31, 69,
77, 80–82, 90–93, 119; see
also hymnody; psalmody;
tunebooks
black congregations, 338, 341
Moravian, 40–41
conjunct motion, 168–69
conjunto, 518–19
Connecticut. See Danbury; Farmington
Conservatoire Américain (Fontaine-
bleau, France), 389
Constitution Hall (Washington, D.C.),
329
continuity, concept of, 110, 297, 431
contrabands (contraband of war), 224
contra dances. See country dances
contrafacts, 397
Cook, James, 101
Cook, Will Marion, 163c, 238, 238
Cool Hand Luke (fi lm), 500
cool jazz, 402
“coon” songs, 242, 244–46
Cooper, Alice. See Alice Cooper
Cooper, Kathryn Dupuy, 448
Copland, Aaron, 255c, 306, 308, 308 ,
312, 317, 389, 390 , 410
aesthetics of, 310
fi lm scores of, 499
works of, 307, 310–11, 391Copland-Sessions Concerts, 308, 311
Copway, George, 209, 209
Copyright Act (1909), 163c, 545
Copyright Act revisions (1976), 386c
copyright laws, 61, 145, 168, 233, 341,
386 c, 387c
and downloading, 546–47
and hip-hop, 542
home taping as violation of, 502
Corea, Chick, 483
cornet
in bands, 115, 116, 165, 170, 258
in blues, 261, 262
in jazz, 287–89, 294, 297–98, 409
corporate rock, 469, 472–73
Corpus Christi, feast of, 22, 22
corridos, 518
“Corrine, Corrina” (Bob Willis and His
Texas Playboys), 346–48
Coryell, Larry, 482
Costello, Elvis, 473
Cotton, John, 29
Cotton Club (Harlem), 299, 301
counterculture, 434, 469
countermelody, 168, 170, 287
counterpoint, 168, 312
Counting Crows, 538
“Country and Western” (term), 344
country blues, 332–37
country dances, 48–51, 49
country music, 256, 263–74, 341–48,
415–20, 427, 456–58; see also
bluegrass
in fi lm, 367
couple dances, 48
courtship, 276, 278
cover records, 428
cowboy songs, 221–22, 344–45, 349
Cowell, Henry, 283 , 283–86, 307, 311,
312, 317, 446
Cowell, Sidney Robertson, 284, 286
Coyboy (MC), 510
Cramer, Floyd, 457
Crawford, Ruth. See Seeger, Ruth
Crawford
“Crazy” (Nelson), 457
“Crazy Blues” (Smith), 254c, 260, 263
Cream, 469, 482
Creation, The (Haydn), 118
Creole-bania, 94
Creole Jazz Band, 287–89, 294
“Creole Rhapsody” (Ellington), 328–29
Crickets, the, 475
critics and criticism
on American composers, 124,
126, 128, 129, 186–87, 192
on blackface minstrelsy, 142
on Broadway musicals, 406
on concerts, 118, 120–22, 126,
152, 322
on jazz, 318, 397, 412, 535
on opera, 111
on rock, 539
Crockett, Dav y, 137crooners, 381, 414
Crosby, Bing, 344, 373, 381, 414, 427, 459
Crosby, David, 474
crossover, 322, 386c, 424, 429, 430,
439, 499
Crouching Tiger, Hidden Dragon (fi lm), 550
Crow, Sheryl, 538
Crudup, Arthur “Big Boy,” 427, 429
“Cruel Summer,” 501
Crumb, George, 446–49, 496, 497, 552
crunk, 544
Cugat, Xavier, 403
“cultivated music,” 106
cultural hierarchy, 535
cultural relativism, 225
“culture wars,” 495
cumbia, 545
Cunningham, Merce, 395
Curtis Institute (Philadelphia), 552
cutting (looping), 508
cutting contests, 328
cylinder recordings, 171, 180, 211, 212,
222, 259–60
cymbals, 115, 116, 325, 378D, Chuck, 512, 543, 547
Dacus, Smoky, 348
“Daddy and Home” (Rodgers), 344
Daddy Yankee, 545
Daily Worker, 313, 317
Dakota War (1862-64), 207
Dale, Dick, 454
Dalhart, Vernon, 266
Dallas, Texas, 332
Dallas Symphony Orchestra, 305
Dalton, Wayne, 154
Danbury, Connecticut, 196
Dance, The (Hogarth), 49
dance and movement
in African American religion, 101
African American traditions of,
87, 89, 93–94, 97, 98 , 101, 104,
242, 244
in blackface minstrelsy, 133, 135,
144, 159
black professional dancers, 95, 244
Vernon and Irene Castle, 249–50
in colonial period, 48–50
early twentieth century, 245, 247
instruction, 48–49
Latin jazz and, 403
modern dance, 395
in musicals, 364–65
ragtime, 249
religious objections to, 48
religious roles of, 48
shouting vs. secular dancing, 101
social, 48–50, 114, 286–87
in soul music, 461
dance bands and orchestras, 249, 294,
297–303, 318, 376–79, 409–10,
421, 429, 532
instrumentation of, 299
dance halls, 239, 245, 294172028_99c_A16-A46_IND_r2_sd.indd A22 23/01/13 11:23 AM