Opera

(Marvins-Underground-K-12) #1

  1. Cyr, Mary. “Rameau’s Les fêtes d’Hébé.” Ph.D. diss., U. of California, Berke-
    ley, 1975. 2v.


Hippolyte et Aricie



  1. Graf, Georg. Jean-Philippe Rameau in seiner Oper “Hippolyte et Aricie”: Eine
    musikkritische Würdigung.Wädenswil (Switzerland): Villiger, 1927. 170p.
    ML410 .R17 H7G7.
    A publication of the author’s dissertation, U. of Basel, 1927. Identified by Fos-
    ter (#1535) as “the earliest book-length study of an opera by Rameau.” It
    deals with the libretto and gives an analytical description of the music, number
    by number, with examples.


See also #1536.


Les Indes galantes


ASO46 (1982); Chefs,v.34.



  1. Leclerc, Hélène. “Les Indes galantes(1735–1952): Les sources de l’opéra-
    ballet.. .” Revue d’histoire du théâtre5 (1953): 259–285.
    A description of the premiere and a reception study of the early productions;
    also an account of the Paris revival in 1952. Costumes and stage effects are
    described and illustrated from contemporary documents.


Les paladins


FO,v.44.



  1. Wolf, Robert Peter. “Jean-Philippe Rameau’s comédie lyrique ‘Les paladins’
    (1760): A Critical Edition and Study.” Ph.D. diss., Yale U., 1977. 2v.


Pigmalion


FO,v.42. See also #1536.


Platée


FO,v.42; Chefs, v.35. See also #1536.


La princesse de Navarre


FO,v.41.



  1. Sawkins, Lionel. “Rameau’s Last Years: Some Implications of Rediscovered
    Material at Bordeaux.” PRMA111 (1984–1985): 66–91.
    Reports on a previously unknown score and parts of the opera, used in a Bor-
    deaux performance in 1763. Collates all known sources and draws new con-
    clusions about performance practice, Rameau’s scoring, and dance numbers.
    Facsimiles, musical examples, tables.


Zoroastre


Chefs,v.36.


294 Opera


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