Opera

(Marvins-Underground-K-12) #1

Schünemann, Georg. “Mendelssohns Jugendopern,” 1180
Schwarz, Boris. Music and Musical Life in Soviet Russia, 1917–1970, 2639
Schwarz, K. Robert. Minimalists, 874
Schwinge, Wolfram. Krzysztof Penderecki: His Life and Works: Encounters, Biography,
and Musical Commentary, 1381
Scott, Eleanor. The First Twenty Years of the Santa Fe Opera, 2809
Scott, Michael. “Raoul Gunsbourg and the Monte Carlo Opera,” 2602; The Record of
Singing, 442
Seaman, Gerald R. Nikolai Andreevich Rimsky-Korsakov: A Guide to Research, 1558;
“The Rise of Russian Opera,” 58
Seaton, Douglass. “Important Library Holdings at Forty-one North American Universi-
ties,” 123
Seeger, Horst. Opern Lexikon, 53
Segond, André. L’opéra de Marseille, 1787–1987, 2338
Selden, Margery. “The French Operas of Luigi Cherubini,” 699
Seligman, Paul. Debuts and Farewells: A Two-Decade Photographic Chronicle of the Met-
ropolitan Opera, 2798
Sellner, Gustav Rudolf. “Grundlagen zur Auführung des Idomeneoin Salzburg 1973,”
1319
Seltsam, William H. Metropolitan Opera Annuals, 2793
Semmens, Richard. “Dancing and Dance Music in Purcell’s Operas,” 1514
Semperoper: Gottfried Sempers Opernhaus zu Dresden, 2382
Sénéchaud, Marcel. Le répertoire lyrique d’hier et d’aujourd’hui, 209
Senici, Emanuele. “Verdi’s Luisa, a Semiserious Alpine Virgin,” 1891; “Virgins of the
Rocks: Alpine Landscape and Female Purity in Early Nineteenth-Century Italian
Opera,” 2478
Senn, Walter. Musik und Theater am Hof zu Innsbruck: Geschichte der Hofkapelle von 15.
Jahrhundert bis zu deren Auflösung im Jahre 1748, 2159
Seragnoli, Daniele. L’industria del teatro: Carlo Ritorni e lo spettacolo a Reggio Emilia nel-
l’ottocento, 2565
Serauky, Walter. Musikgeschichte der Stadt Halle, 2387
Seshadri, Anne M. “Richard Strauss, Salome, and the ‘Jewish Question,’ “ 1744
Seta, Fabrizio della. “Un aspetto della ricenzione di Meyerbeer in Italia: Le traduzioni dei
grands opéras,” 1190
Shaheen, Ronald Thomas. “Neoclassic Influences in the Two Versions of Giovanni Simone
Mayr’s Lodoiska,” 1173
Sharp, Stuart Walter. “The Twilight of French opéra lyrique, 1880–1900,” 748
Shaw, George Bernard. Music: The Complete Musical Criticism in Three Volumes, 433;
The Perfect Wagnerite: A Commentary on the Niblung’s Ring, 2048
Shay, Robert. Review of Performing the Music of Henry Purcell, 1514
Shirley, Wayne D. “Rotating Porgy and Bess,” 863
Short, Michael. Gustav Holst: The Man and His Music, 1061
Shostakovich, Dmitrii Dmitrievich. Testimony: The Memoirs of Dmitrii Shostakovich,
1667
Shostakovich: The Man and His Music, 1666
Siegel, Linda. “A Second Look at Schumann’s Genoveva,” 1655
Sievers, Heinrich. Hannoversche Musikgeschichte: Dokumente, Kriterien und Meinungen,
2397
Simms, Bryan R. Alban Berg: A Guide to Research, 526
Simon & Schuster Book of the Opera: A Complete Reference Guide, 54
Sittard, Josef. Geschichte des Musik- und Concertwesens in Hamburg vom 14. Jahrhun-
dert bis auf die Gegenwart, 2388
Skei, Allen B. Heinrich Schütz: A Guide to Research, 1658
Skelton, Geoffrey. Wagner at Bayreuth, 2371; Wieland Wagner: The Positive Skeptic, 323
Skowronski, JoAnn. Aaron Copland: A Bio-Bibliography, 711
Slonimsky, Nicolas. Music since 1900, 105


612 Opera


http://www.ebook3000.com

Free download pdf