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Smaczny, J. A. “A Study of the First Six Operas of Antonín Dvorák,” 821
Smart, Mary Ann. “Dalla tomba uscita: Representations of Madness in Nineteenth-
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Smialek, William. Polish Music: A Research and Information Guide, 2615
Smith, Alan. An Index to the Works of Henry Purcell as Published by the Purcell Society,
1511
Smith, Carolyn. William Walton: A Bio-Bibliography, 2078
Smith, Edwin. “William Henry Fry’s Leonora,” 844
Smith, Eric Ledell. Blacks in Opera: An Encyclopedia of People and Companies, 1873–
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Smith, Julian. “Carlo Pallavicino,” 1377; “A Metamorphic Tragedy,” 1478
Smith, Kent M. “Egidio Duni and the Development of the opéra-comiquefrom 1753 to
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Smith, Marion. “The livrets de mise en scèneof Donizetti’s Paris Operas,” 784
Smith, Patrick J. The Tenth Muse: A Historical Study of the Opera Libretto, 217
Smith, William Charles. Handel: A Descriptive Catalogue of the Early Editions, 946; The
Italian Opera and Contemporary Ballet in London, 1789–1820, 2715
Smol’skii, Bronislav Sil’vestrovich. Beloruskii Gosudarstvennyi Orden Lenina Bol’shoi
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Sokol, Martin. The New York City Opera: An American Adventure, 2802
Solerti, Angelo. Gli albori del melodramma, 2438; Le origini del melodramma: Testimoni-
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Solomon, Maynard. Beethoven, 494
Somfai, László. “Die wiener Gluck-Kopisten—ein Forschungsdesiderat,” 884
Sonneck, Oscar G. T. “Ciampi’s Bertoldo, Bertoldino e Cacasennoand Favart’s Ninette à
la cour: A Contribution to the History of the Pasticcio,” 704; “Dafne, the First Opera: A
Chronological Study,” 1404; Early Opera in America, 2752
Sopart, Andreas. “Giuseppe Verdis Simon Boccanegra(1857 und 1881): Eine musikalisch-
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Soubies, Albert, and Charles Malherbe. Histoire de l’Opéra-Comique. La seconde Salle
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Soubies, Albert. Histoire du Théâtre-Lyrique, 1851–1879, 2331; Soixante-neuf ans à
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Sousa Viterbo, Francisco Marques de. Subsídios para a história da música em Portugal, 2629
South America, Mexico, Central America, and the Caribbean, 2110
Spies, André Michael. Opera, State and Society in the Third Republic, 1875–1914, 2274
Spies, Claudio. “Some Notes on the Completion of Lulu,” 529
Spina, Giuseppe. “Scott-Ancelot-Pepoli-Bellini: Genesi del libretto de I puritani,” 519
Spitz, Charlotte. Anotonio Lotti in seiner Bedeutung als Opernkomponist, 1120
Spitzer, John, and Neal Zaslaw. “Improvised Ornamentation in Eighteenth-Century
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Spotts, Frederic. Bayreuth: A History of the Wagner Festival, 2372
Sprague, Cheryl Ruth. “A Comparison of Five Musical Settings of Metastasio’s Artaterse,”
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Spratt, Geoffrey K. The Music of Arthur Honegger, 1063
Squares, Roy. “The Washington Opera, Inc., 1956–1977,” 2813
Squire, W. Barclay. “Purcell’s Dramatic Music,” 1521
The Stage Works of Martinu ̊, 1155
Stahura, Mark W. “Handel’s Haymarket Theatre,” 2721
Stallings, Bonnie L. “Diagetic Music in the Operas of Benjamin Britten: The Case of Peter
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Stalnaker, William Park. “The Beginnings of Opera in Naples,” 2537
Stanischevs’kyi, Iurii Oleksandrovych. Opernyi teatr Radians’koi Ukraïny: istoriia i
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Starr, Lawrence. “Toward a Reevaluation of Gershwin’s Porgy and Bess,” 860
Index of Authors and Main Entries 613