N-Photo - The Nikon Magazine - USA (2019-07)

(Antfer) #1

shooters to want to make their own choices on the




ǕǔŖ/űǕǕǔ Ǖ


Ǖ\%Ĩ



/Ǖ


camera, you’re making a commitment to spend time
űǕ




Ǖǔ
\


Raw means choice
0



/œ%/ű
ļǔ

Ǖ". )ĨǕǕļĽ 
ļĨ 
ļ
necessarily give you a higher quality image. Instead,
/ǕǕǔ
 


ǔ\



from a wider range of possible looks. This freedom of
choice is most apparent in the dynamic range of the
image, which is wider than that of a JPEG. It means
the image holds greater detail in the shadows and
highlights. Not only does this let us rescue blown out
or u nderex posed photos, it a lso a l lows us to ba la nce
out high-contrast scenes by, for example, teasing
delicate details out of bright skies or improving the


dark parts of our photo. So you can see why shooting
Ǖ/Ǖ

   

 Ĩ
the extra headroom you have for pulling detail out of

ǔ
ǎǔ ǕŰ\

Colour control
/
ǔ
ļ  ǔǕ\3Ǖ
". )ŏŕ
ǕĨ/ 

Ňň
ŇŊ
Ǖ
ř   Ǖ

ǔŚĨǕ

Ǔ
ǔ


\%Ǖ

Ǖ

means we can set the white balance and colour space
ǎ\
ǔ 


and contrast more without creating unsightly
banding in our images. What’s more, if you like to use
-Ǖ
.Ǖ(

ŖǕǕ". )Ŗ
ļĽ
Ǖļ
ǕǔĨ



ǔ

 ǕŰŰ\%
features mean more time sat in front of your screen,
but it puts the look of your images in your hands.

Raw files hold an
incredible amount
of d e t a il a t th e to n a l
extremes – you can
d r aw th i s o u t of th e
highlights and
shadows during
Raw processing,
which is invaluable
for high-contrast
landscapes.

MANUAL PROCESSING

Free download pdf