Modern American Poetry

480 Index

(Williams), 11

“Atlantis” (Crane, H.), 26–32, 73,

306

allusions in, 74

nightmare in, 83–85

sublime consciousness in, 77

“At Melville’s Tomb” (Crane, H.),

274, 281–82, 285–87

structure of, 288–89, 291,

293–96, 299–303

“At a Month’s End” (Swinburne),

360

“At the Faucet of June” (Williams),

98

Auden, W.H.

For the Time Being, 463

“Musée des Beaux Arts,” 444

Poems, 462

The Sea and the Mirror, 463

Auerbach, Erich

Mimesis, 397

Auroras of Autumn, The (Stevens),

14, 233, 235, 410

pastoral of, 111–12, 114–15, 120,

123–26, 138–40

Autobiography (Williams), 196, 198,

206

Autobiography of Alice B. Toklas, The

(Stein, G.), 462

“Ave Maria” (Crane, H.), 276, 285

Bacchae, The (H.D.), 369–70

“Bacchus” (Emerson), 1

Baldwin, James, 395, 416

Ballad of the Harp-Weaver(Millay),

461

“Bantams in Pine Woods” (Stevens),

272

Baraka, Amiri

Blues People: Negro Music in White

America, 406–7

Bartlett, John, 193

Battleship Potemkin(Eisenstein), 461

“Beautiful Thing” (Williams), 201,

203, 221–24

Beckett, Samuel

Endgame, 464

Being and Time (Heidegger), 462

Benjamin, Walter

“The Work of Art in the Age of

Mechanical Reproduction,”

462

“Bereft” (Frost), 179, 318–19, 321,

339

Berger, Charles, 234

Bersani, Leo, 418

“Between Walls” (Williams), 105

Bierstadt, Albert, 442

Big Sea, The (Hughes), 463

“Birches” (Frost), 193

Birds, Beasts and Flowers (Lawrence),

27

“Bird’s Companion, The”

(Williams), 106

“Bird-Witted” (Moore), 48, 449

Bishop, Elizabeth, 19–20

“Black Earth” (Moore), 45–46

Blackmur, R.P., 257, 269, 274, 294

“Black Tambourine” (Crane, H.),

273

Blake, William

influence on Crane, 273–74,

281–309

influences of, 20, 22

and negation, 3

and realism, 17, 74

and romanticism, 271

Blast, 363

founding, 460

“Blizzard” (Williams), 93

Blood for a Stranger(Jarrell), 463

Bloom, Harold, 169, 302, 304–6,

465

on the influences on the modern