MOHAMMED DIB
Islander and bearded toiler
For an unconquerable faith unconquered
Not a great poem on its knees
Before the slab of sorrow
But a little Haitian lamp
That wipes away its tears while smiling
And with one beat of its wings
Rises for ever and ever a man
As far as the ends of the sky upright
And free in the green innocence
Of all men!
Christian West my terrible brother
Here is my sign of the cross
In the name of revolt
And of justice
And of tenderness
Amen!
—joan dayan
Mohammed Dib 1920–
tlemcen, algeria
O
ne of the most highly regarded of the Maghrebian poets, Dib ex-
plores, in his enigmatic, sensuous work, meanings seemingly beyond
words and, in the subterfuge of his elliptical remarks, engages in
what has come to be known as postcolonial counterdiscourse. Dib, Mouloud
Mammeri, Mouloud Feraoun, and Kateb Yacine formed a literary group alter-
nately referred to as the ‘‘Generation of ’52,’’ to mark the year Mammeri’s and
Dib’s first novels appeared, and the ‘‘Generation of ’54,’’ to mark the start of the
war for independence in Algeria. In 1959 Dib moved to France, where he con-