photographer, a drawing permits the artist to exercise a
discerning eye, adding or subtracting detail to the benefit
of the sketch.
Building designers play with various ingredients to
produce a satisfactory piece of architecture. They have
proportion, colour, outline, texture, harmony, shadow and
framing at their disposal. Likewise, artists should seek out
these qualities within the object or subject they are
tackling, and exploit them in the drawing. After all, there is
no better way of getting to know a subject than drawing
it, and no better way of remembering what it is really like
beneath the surface appearance.
Some modern buildings are highly abstract in
appearance and often rather minimal in detail. These
buildings derive from the legacy of the International Style,
which began in the 1920s and put machine production
and functional logic before craftmanship or individual
human needs. Such buildings require a different approach
to being rendered through architectural drawing than do
more traditional townscapes. Here you will find a ruler
useful and perhaps a circle template, and the use of dark
shade and dramatic highlighting may also be helpful.
Similarly, small areas of bright colour may enliven the
drawing, and give a dull building a focus of interest.
Whatever drawing technique is employed, it is important
to think hard about composition before starting to draw,
and to try to enter into the spirit of the period of the
subject before putting pencil to paper. An abstract
modernist building may well suit a cool, almost cerebral,
style of drawing. On the other hand, a Brutalist building of
6.2
This sketch of a street in
Florence focuses upon the
walling elements and surface
textures. The use of shade and
shadow helps enhance the
appearance of three dimensions,
thereby better expressing the
main architectural components.
Unnecessary detail has been
left out.
52 Understanding architecture through drawing