6.3
By placing the ‘subject’ of
the sketch (which here depicts
the Merchant City, Glasgow)
near the top of the drawing,
the spaces which form the
context and public realm are
also described.
6.4
This drawing of the semicircular
portico to Bramante’s S. Maria
della Pace in Rome leaves much
detail out in order to express the
framing of the doorway and the
clash between curved and
straight lines.
Composition 53