72 Business TheEconomistNovember20th 2021
hosted a virtual space battle to promote
“Rise of Skywalker” (the “Star Wars” film,
in turn, referred back to the ingame
event—very meta). In July Ferrari uploaded
a virtual version of one of its luxury sports
cars into the game for players to drive
around. It is not quite the same as renegade
hackers racing virtual cars in the “black
desert of the electronic night”. But it is not
a million miles away, either.
The bestknown uses of “Fortnite’s” vir
tual world have come from the music in
dustry. In 2020 Travis Scott, a rapper, host
ed a virtual concert. The malleable physics
of the digital world allowed him to do
things no amount of stagecraft could ac
complish in reality. His hundredfoottall
avatar, wreathed in lightning, danced and
stomped through the game’s pixellated
universe, shaking the ground with every
step. Around 12.3m people attended,
around 60 times more than can fit onto the
fields of Glastonbury, a big music festival.
The second prong of Epic’s strategy, be
sides “Fortnite” itself, is to sell pickaxes in
a gold rush. Here it is in competition with
Unity, a firm founded in Denmark in 2004
and which went public last year. Both firms
sell sophisticated software “engines” that
were originally designed to power video
games. Now they are touting them as piec
es of generalpurpose simulation software
that they hope will become a common lan
guage in which 3dworlds are built, in the
same way html underpins websites.
They are already partway there. Games
engines are finding uses outside the gam
ing business. Architectural firms, for in
stance, use them to build virtual versions
of buildings to dazzle clients before con
struction. Some use them to help manage
the build itself. A collaboration between
Epic and Cesium, a startup that maps cities
and landscapes, allows virtual copies of
real cities such as Melbourne or Detroit to
be dropped into Unreal, the engine that
powers “Fortnite”.
Mr Ball points out that much of “The
Mandalorian”, a “Star Wars” tvshow, was
shot within a virtual world generated by
Unreal. Since they are built with the same
software, he writes, “audiences could free
ly investigate much of these sets [in an Un
realpowered world]”—a metaversey twist
on charging fans for tours of film sets. Un
ity recently paid $1.6bn for Weta Digital, a
visualeffects studio founded by Peter
Jackson, who directed the specialeffects
heavy “Lord of the Rings” films. It also un
veiled Metacast, a piece of software de
signed to broadcast sports events into vir
tualworlds.Thefirmshowedoffa mixed
martialartsboutthatviewerscouldwatch
fromanyangle—eventhepointofviewof
oneofthefighters.
Whetherthegamesfirmscancompete
withthetechtitansremainsto beseen.
Meta’sannualrevenues,at$86bnin2020,
makeithalfthesizeoftheentiregaming
industrybyitself.ButMrBallpointsout
thatbigchangesintechnologyoftenlead
totheriseofnewplayersdespitetheef
fortsofoldincumbents.And,besidesex
perience,thegamesindustryhasplentyof
readymadeearlyadoptersforwhomvirtu
alworldsarealreadyanestablishedcultur
alnorm.“Youhaveatleasttwogenerations
ofkidswho’vegrownupplayingonline
games,”saysMrBronstein.“Navigatinga
3denvironment.Hangingoutina virtual
worldwithfriends.Thisstuffiscommon
placeforthem.”n
Americanrailways
Chugging along
F
ewindustriesaremorevulnerableto
events that depress revenues and in
crease expenses than America’s railways.
The basic business model is to lug lots of
stuff to offset the high fixed costs of own
ing fleets of locomotives and maintaining
thousands of miles of track. That has been
hard as America’s supply chain has come
unglued, first because of covid19 and then
as it has waned. Ports are gridlocked, ware
houses overstuffed and labour unavail
able. It has unquestionably been a tough
time to be a rail company and, it turns out,
a remarkably good time to be one.
Volumes and profits at the listed com
panies that run America’s tracks and trains
used to be tied as closely as a locomotive to
its cargo. No longer. Traffic has yet to re
cover from prepandemic peaks, according
to the Association of American Railroads, a
trade group. But the financial equivalent of
a train crash that such a slump would once
have presaged has not arrived. On the con
trary, America’s major freight carriers are
on their way to record annual profits. Their
share prices in recent weeks have helped
stockmarkets there chug to new highs.
Train dispatchers have earned their
crust in recent months: vital rails underly
ing many transcontinental supply chains
are not exempt from disruptions of their
own. At Union Pacific (up), one of Ameri
ca’s two largest rail operators, fuel costs
have risen by 74% over the past year and lo
comotive productivity has fallen by 8%.
Freightcar“velocity”,thenumberofmiles
travelledinaday,is5%belowthecom
pany’sstandard,inpartbecauseof“termi
naldwell”—railspeakforbeingstuck.
Wildfiresacross 13 westernstatesdur
ingthesummercausedwidespreaddelays,
reroutinganddamage.Theglobalmicro
chipsnafuhasreducedshipmentsofcars,
a lucrativecargo.Railwayshavetheirown
shortagestocontendwith,fromtherolling
chassisusedforunloadingcontainersto
largewarehouses.Employees,whomrail
bossesoncethinnedinrepeatedcostcut
tingdrives,arenowinshortsupplytoo.
Manywhowerefurloughedduringtheear
lydaysarenotkeenoncomingbackto
work,saysJamesFoote,thechiefexecutive
ofCSX, thethirdlargestrailcompany.
Ordinarilyall thesefactorswouldbe
toxic,butthesearenotordinarytimes.The
capacitytogetgoodsfromatobhasbe
come extraordinarily valuable. Jennifer
Hamann,up’sfinancechief,explainsthat
strongdemand“supportspricingactions
that yield dollars exceeding inflation”.
Pricerisesmeanup’s operatingincomeov
erthepasttwoyearsisupby9%evenas
volumeshaveslippedby4%.
Otherrailwayshavemadepreciselythe
samepoint(thenetworksoverlapinplac
es,thoughlargelycovertheirownpatchof
America). Allhave limited capacity and
similar obstacles.Betteryet, forrailway
shareholders,theshortageoflabourhas
beenevenmoreacuteinthetruckingin
dustry,bluntingoutsidecompetition.
Inevitably,theenvironmentwillshift
asbottlenecksareresolvedandworkersre
turn.Pushybusinesscustomerswillnot
haveforgottenhowtonegotiate.Therail
waysthemselvesarenotsittingstill.up,
for example,is stretchingits seemingly
endlesstrainsfrom9,500to10,000feet.
csxisintroducingautonomouslocomo
tives. Norfolk Southern is shifting ever
moretrafficfromjammedwestcoastports
tosmootheroperationsontheeastcoast.
Thisunusualmoment,inshort,willpass.
But for now, the industry remains on
somethingofa roll.n
N EW YORK
Supply-chain snags are driving up the
profits of those shifting rail cargo
Off the beaten track
United States, freight-rail traffic*
Average weekly carloads, ’000
Source: Association of American Railroads *US carriers only
600
550
500
450
400
2017 21201918
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