ANCIENT
BRICK AND
STONE HOUSES
23
Three-storied
houses orpalaces arefrequently
represented
inAsokan
sculpture. The
generalarrangement
ofthe
"
Palace
of theGods
"
(PI. Ill,a),
which maybe
taken foracrude re-
presentation of a
typical Indian mansion
about
250
B.C., does
notdiffermuchfromthatofawell-to-do
familyhousein
modern
Rajputana. There are the familiar
chhajas
(verandah roofs
usedascornices),
toprotectthewallsfromrain
andtheburning
heatof the middaysun, which are
soconspicuousa featurein
modern Indian buildings. The lower
storey has open veran-
dahswith thevedika,
where the men of the household can sit
totransact businessorconversewith their friends. Thefirst
floorhas balconieswith Bengaliarchesand screenedopenings,
wheredoubtlesstheladiessatastheydointhe
Indiaofto-day.
The upper storey,orattic, correspondsto the modern Rajput
open-terracedroof,with itsdomed pavilions,orchhattris,only
here the chhattri apparently covers the whole roof. It is
probablethat housesof
this type were builtin the third cen-
tury B.C., not onlyin towns, but
in
the
largervillages, whose
inhabitantsbelongedtothehigherclassesofIndo-
Aryansociety.
Besides domestic
and religious buildings, the Indian
vil-
lage,as before mentioned,
had sometimesitsAssembly-hall or
Mote-house,
where the village
council met, aswell as school
buildingsand
rest-houses fortravellers and
pilgrims. These
weregenerallypillared
pavilions, whichwere the
prototypesof
the Diwan-i-Am,
orpublic
audience-hall,ofthe Mogul Empe-
rors. Adouble-storied
pavilionof
thiskindfromtheBharhut
sculpturesis
shown in PI.
IV, a. Inthis case
the building is
areligiousone, but
it mustbe
remembered thatall
Indianre-
ligious
buildings had their
secular or
domestic prototypes.
A
royalaudience-pavilion
ofabout
theseventh
centurya.d., from
a fresco
at Ajanti(PL
IV, b),
with a
chhajai and flat roof,
1
Thestone
orwoodenchhajais
derivedfrom
thebambu-and-mator
thatchedlean-to
roofof
a
verandah.