challengers. In both, the object of the tourneying was the“black lady.”On the
jousts of 1507 and 1508 , seeLHTA,iii, xlv–lii, 257 – 61 ;iv, lxxxiii–lxxxiv, 22 , 119 ;
and, for a full analysis, Fradenburg,City, Marriage, Tournament, 225 – 64.
82. Fradenburg,City, Marriage, Tournament, 74 , 167.
83. Ibid., 156 , 161 , 167. Macdougall points out that there was“a world of difference
between the remote, aloof James III amassing money from profits of justice
without moving from Edinburgh in the process, and his energetic son, who...
might be expected to appear rapidly in any area in which unrest was likely to have
damaging effects on Crown resources or prestige.”James IV, 304.
84. Robert Lindesay of Pitscottie,The Historie and Cronicles of Scotland, From the
Slauchter of King James the First To the Ane thousande fyve hundreith thrie scoir
fyftein ʒeir, ed. A. J. G. Mackay, 3 vols. (Edinburgh, 1899 – 1911 ),i, 231 ;
Fradenburg,City, Marriage, Tournament, 69 – 70.
85 .NeilCuddy,“The Revival of the Entourage: The Bedchamber of James I, 1603 –
1625 ,”in Starkey et al.,The English Court, 173 – 225 ( 178 – 81 ). Hugh Murray Baillie
points out that the Privy Chamber was not distinguished from the Bedchamber
and Closet in the Scottish court, as it was in the English: even when, in the reign
of James V, French masons completed the palace at Stirling Castle and altered
that of Linlithgow at about the same time,“both provide a Royal Apartment
consisting only of a Garde Hall, Presence Chalmer and Bedchamber with a
garde-robe and oratory behind it. As there is no room to enlarge or develop these
closets, it is clear that the King and Queen of Scots were expected to live, as their
ancestors had done, in their Bedchamber.”“Etiquette and the Planning of the
State Apartments in Baroque Palaces,”Archaeologia 101 ( 1967 ), 169 – 99 ( 180 ).
86. Michel Foucault,Discipline and Punish: The Birth of the Prison, trans. Alan
Sheridan (New York, 1977 ), 28 – 29.
87. Fredric Jameson draws a connection between the emergence of personalizing
narrative detail in the context of“alife”with bourgeois capitalism:“realism is par
excellence the moment of the discovery of changing time...at one with...a
world of worn things...and those discarded objects that are used-up human
lives”:“Beyond the Cave: Modernism and Modes of Production,”The Horizon
of Literature, ed. Paul Hernadi (Lincoln, 1982 ), 157 – 82 ( 176 ).
88. Bawcutt,Dunbar, 115.
89. On this aspect of the petitionary poem, see also my“Hoccleve’s Unregimented
Body.”
90. Jean Baudrillard,Selected Writings, ed. Mark Poster (Cambridge, 1988 ), 109.
91 .“You love me better poor than rich”:Crétin,xlv, 50.
4 translative senses: alexander barclay’seclogues
and gavin douglas’spalice of honour- Gavin Douglas,Virgil’s Aeneid, ed. D. F. C. Coldwell, STS 3 rd series 25 , 27 , 29 ,
30 (Edinburgh, 1951 – 56 ),iv, 191 , lines 117 – 28. All references are to this edition.
Notes to Pages 83 – 87 201