Notes to pp. 17–25 545
une ville en guerres, ed. by Jean-Jacques Jordi and Guy Pervillé (Paris:
Autrement, collection ‘Mémoires’ no. 56, 1999), pp. 34–5.
23 Derrida, Sur parole, p. 12.
24 Jacques Derrida, ‘Abraham, the other’, in Bettina Bergo, Joseph
Cohen, and Raphale Zagury-Orly, eds, Judeities: Questions for Jacques
Derrida, tr. by Bettina Bergo and Michael B. Smith (New York:
Fordham University Press, 2007), p. 10.
25 Derrida, Points.. ., pp. 341–2.
Chapter 2 Under the Sun of Algiers 1942–19491 Jacques Derrida, The Post Card: From Socrates to Freud and Beyond,
tr., with an introduction and additional notes, by Alan Bass (Chicago:
University of Chicago Press, 1987), p. 87.
2 For further details on these anti-Semitic measures, see the ‘Curriculum
vitae’, in Bennington and Derrida, Jacques Derrida, pp. 325–6.
3 Derrida, Sur parole, p. 13.
4 Derrida, ‘Circumfession’, p. 58.
5 Jacques Derrida and Élisabeth Roudinesco, For What Tomorrow.. .:
A Dialogue, tr. by Jeff Fort (Stanford, Calif.: Stanford University
Press, 2004), p. 109.
6 Remarks by Derrida quoted by Hélène Cixous, ‘Celle qui ne se ferme
pas’, in Mustapha Chérif, ed., Derrida à Alger: un regard sur le monde.
Essais (Arles: Actes sud; [Alger]: Barzakh, 2008), pp. 48–9.
7 Jacques Derrida, ‘Comment ne pas trembler’, Annali, 2006/II, Bruno
Mondadori, p. 91.
8 Derrida and Roudinesco, For What Tomorrow.. ., p. 111.
9 ‘The three ages of Jacques Derrida’, interview with Kristine McKenna,
LA Weekly, 8–14 November 2002.
10 ‘Le cinema et ses fantômes’, interview reprinted in Antoine de Baecque,
Feu sur le quartier général, Petite bibliothèque des Cahiers du Cinéma,
2008, pp. 54–5.
11 Stora, Les Trois Exils, p. 95.
12 Malabou and Derrida, Counterpath, p. 27.
13 Remarks by Derrida quoted by Hélène Cixous, ‘Celle qui ne se ferme
pas’, p. 49.
14 Ibid., p. 49.
15 Derrida, Sur parole, p. 15.
16 Interview with Fernand Acharrok. I am very grateful to his son Jean-
Philippe for helping me obtain this interview.
17 Albert Camus, ‘Le minotaure’, in Essais. Quoted by Pierre Mannoni,
Les Français d’Algérie: vie, moeurs, mentalité de la conquête des
Territoires du Sud à l’indépendance (Paris: L’Harmattan, 1993), p. 163.
The Camus essay is translated as ‘The Minotaur, or stopping in Oran’,
in Albert Camus, Lyrical and Critical, tr. by Philip Thody (London:
Hamish Hamilton, 1968), p. 89.
18 Derrida, ‘Le survivant, le sursis, le sursaut’, La Quinzaine littéraire no.
882, 1–31 August 2004.
19 Derrida and Roudinesco, For What Tomorrow.. ., p. 107.
20 Ibid., pp. 107–8.