Dialect Poetry of Southern Italy (Italian Poetry in Translation Book 2)

(Marcin) #1

nature, in the pagan or mystical sense


(Pasolini wrote in Passione e ideologia,


Garzanti), but I would add more markedly


Christian and Catholic than in other parts of


Italy, if one only considers that the first


practitioners of Sardinian dialect poetry are


often clergymen. No doubt, that religiosity


at times concealed much more: a sentiment


of revolt and at any rate of not belonging to


the different species that had crossed the sea


to reach the Sardinian shores and then


further on inland, where the sense of the


small fatherland lost has always been


stronger and more alive.


Since then, that headless muse with


scattered limbs has been searching for her


lost head and her tortured limbs precisely in


poetry, always so revealing of the human


spirit, of one’s true, conscious or unconscious


identity, with a doggedness that has become

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