marcin
(Marcin)
#1
that “the exceptionl nature of the metrical
forms and stylemes is even more surprising”
than in his own Friuli (op. cit., ), if on the
one hand goes back to medieval laudi no
less, on the other hand it is imbued with the
singing, very musical rhythm of certain
Spanish poetry, especially from Latin-
America. And at this point one can mention
the name of the Spanish poet who more
than any other has had a decisive, and no
doubt preponderant, influence on all
Sardinian dialect poetry, namely García
Lorca, the lesser Lorca of “Lament for
Ignacio” and Romancero gitano. Aside from
the aedic nature of this poet (and Sardinian
poetry is born as poetry meant to be recited,
as at any rate has always happened in public
squares and as still happens now and then
during festivals and town feasts), in much of
the Sardinian dialect poetry there is a