marcin
(Marcin)
#1
languages, sectorial, technological etc., it is
in the face of this falseness of language that
the poet must seek the best way to be able to
say, once again, what ditta dentro, which
amounts to saying the sentiment that he
shares with other men. Just as one must try
to save with all his strength a haven of
greenness, of a living and real nature,
threatened by the ever increasing flows of
concrete, the same must be done in the
realm of poetic language. Then it is of
precise, maybe civil, moral and religious
significance, even more so than poetic, that a
great number of Twentieth-Century poets,
after a period of limbo, have dived into the
great sea of dialectality, as the place of
authenticity and truth in contrast with the
falseness of life and history that language
was dispensing in the erosion of time, of
modes and forms.